Film Igra oponašanja snimljen je prema istinitoj priči Alana Turinga, genijalnog britanskog matematičara i informatičara koji je tijekom Drugog svjetskog rata uspio dekodirati šifrirani komunikacijski sustav kojeg su nacisti koristili u međusobnoj komunikaciji. Jednako intrigantan bio je i njegov privatan život.
Francis priča nekom poznaniku na klupi kako je sreo strašnog dr. Caligarija: prije puno godina je živio u nekom gradu i bio zaljubljen u djevojku Jane. Jednog dana njegov prijatelj Alan ga pozove da posjete karneval i izložbu tajnovitog dr. Caligarija koji publici predstavi čovjeka Cesarea koji boluje od hodanja u snu i koji stalno spava. Caligari se hvali da Cesare može odgovoriti na bilo koje pitanje pa kada ga Alan upita koliko će još dugo živjeti, ovaj mu odgovori da će umrijeti sutra.
When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.
Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.
Dok Hitlerova Njemačka okupira susjedne europske zemlje, građani Varšave odbijaju povjerovati da im rat kuca na vrata. U održavanju privida normalnog života pomaže im i najpopularnije gradsko kazalište koje vode neuspjeli i narcisoidni glumac Joseph Tura (J. Benny) i njegova otmjena supruga Maria (C. Lombard). Nakon što im gradske vlasti zabrane izvođenje duhovitog igrokaza s Hitlerom, Tura željan dokazivanja na pozornici kao zamjenu odluči izvesti nekoliko scena iz Shakespearova "Hamleta". Dakako, pompozni Hamlet je on sam, a predstavu iz kazališta gleda i mladi poljski časnik, poručnik zrakoplovstva Stanislav Sobinski (R. Stack). Kad Sobinski ustane i krene prema izlazu iz teatra, upravo u trenucima dok Joseph izgovara znameniti Hamletov monolog "Biti ili ne biti", to izuzetno uznemiri i razočara ambicioznog glumca. Ali Joseph ne zna da je Sobinski ludo zaljubljen u Mariju.
Spisateljica Nora i njena ljubav iz djetinjstva Hae-Sung možda su razdvojeni tisućama kilometara, ali dijele iznimno duboku vezu. Nakon više od dva desetljeća razdvojenosti, dvije srodne duše susreću se na nekoliko dana u New Yorku. Neočekivani susret s čovjekom sudbine natjera Noru da si postavi pitanje: "Što ako?"
Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...
Razmažena i neurotična, južnjakinja Blanche DuBois, pokušavajući pobjeći od svoje prošlosti koja uključuje tešku ovisnost o alkoholu, gubitak naslijeđene plantaže i zavođenje maloljetnika, odlazi svojoj sestri Stelli Kowalski. Ubrzo će se naći u sukobu s Stellinim mužem, Stanleyem Kowalskim, vulgarnim i prljavim pripadnikom nove industrijsko-imigrantske generacije. Drugim riječima, sirovim čovjekom koji neumjereno pije i puši te se ponaša kao gospodar kuće. Stanely, koji je u svojoj nutrini zapravo senzualan, na nasilan će način suočiti Blanche s njenim problemima iz prošlosti, što će rezultirati njenim živčanim slomom.
A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
Dok se svijet raspada, mladu Furiosu otimaju i ona pada u ruke horde predvođene Gospodarom Dementusom. Prolazeći kroz pustoš, nailaze na naselje Citadela kojom vlada Besmrtni Joe. Dok se dva tirana bore za dominaciju, Furiosa mora preživjeti mnoge izazove i sukobe u pustoši i pronaći svoj put kući.
Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister.
Certain that "the right man" is crucial to her escaping the confines of the Italian village where she lives, Pina places an ad in the newspaper. She gets a response from Adolfo, who agrees to travel from his residence in Rome to visit her. As flashbacks shed light on both their pasts, suspense builds about how they will relate to one another.
A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
Detektiv istražuje smrt čovjeka visoko u planinama. Svi dokazi upućuju na udovicu pokojnika. No, što više pokušava odgonetnuti njezinu tajnu, to se više zaljubljuje.
At the end of the 19th century, during a ball in Joinville, on the outskirts of Paris, Georges, a former delinquent working as a carpenter, meets Marie, a young woman connected to a criminal gang.
When foreman Frank shows new employee Freddy a secret military experiment in a supply warehouse in Louisville, Kentucky, the two klutzes accidentally release a gas that reanimates corpses into flesh-eating zombies. As the epidemic spreads throughout the town, and the creatures satisfy their hunger in gory and outlandish ways, Frank and Freddy fight to survive with the help of their boss and a mysterious mortician.
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).
Rusty Sabich is a deputy prosecutor engaged in an obsessive affair with a coworker who is murdered. Soon after, he's accused of the crime. And his fight to clear his name becomes a whirlpool of lies and hidden passions.
Star-crossed lovers Thérèse and Laurent think they've gotten away with murder after Thérèse's weakling husband "falls" from a speeding train. But when forced to contend with a blackmailer's demands and the mute accusations of Thérèse's mother-in-law, it's only a matter of time before the law, their passion or blind chance trips them up.