"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.
The plot revolves around two guys, Preet and Harpal, who are from a middle class family and are carefree and not concerned about their future. They keep making schemes to make themselves rich. Their father tries to teach them the facts of life and to be efficient and independent. Their mother however supports them in whatever they do no matter how frivolous. The film takes a hilarious turn when the boys meet two rich girls and make a plan to get involved with the girls to extract money from them. In order to do this they need to adapt to the girls lifestyles and borrow money from their father. The plot gets murkier when they decide to marry the girls. Secrets are revealed and criminals are involved. What happens next? Do the boys succeed in their plan? Watch the movie to find out.
The End revolves around two couples Priya (Pavani Reddy), Rajeev Mathews (Sudheer Reddy) and Gautham (Yuva Chandra), Rekha (Gazal Somaiah). While Priya and Rajeev are happily married and staying in their own villa in the outskirts of Hyderabad, Gautham, who happens to be a common friend of Priya and Rajeev, is a UK-return medical graduate planning to set up his own hospital. Meanwhile, few untoward incidents took place in Priya-Rajeev's villa. A female construction worker accidentally dies in a water-less pool in the villa. The story here takes a major u-turn as turbulence surfaces in Priya and Rajeev's personal life and marital life. That changes the life of Rajeev, Priya and Gautham forever.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
The incomparable Luciano Pavarotti at his most eloquent brings Donizetti’s Nemorino to live as only he can, combining vocal fireworks, personal charisma, and charm. The enchanting production by Nathaniel Merrill, with designs by Robert O’Hearn, is the perfect setting for Nemorino’s quest to win the heart of beautiful Adina, sung by the sparkling Judith Blegen. Brent Ellis as Belcore and Sesto Bruscantini as Dr. Dulcamara round out the all-star cast. Nicola Rescigno conducts.
A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.
An investigation into the truth behind the murder of Guatemalan Bishop, Juan Gerardi, who was killed in 1998 just days after trying to hold the country's military accountable for the atrocities committed during its civil war.
A behind-the-scenes look at the true-crime story involving Joe Exotic's murder-for-hire plot.
After spending most of his life abroad, a peculiar young man returns to his birthplace with high hopes of finding love.
Surya is a carefree youth who lives with his father Narayana Murthy. He loves his father and is very protective about him. This obsession often lands him in trouble. A political don troubles Narayana Murthy to get his signature for a file. Murthy objects for this signature and lands in deep trouble. The rest of the film deals with how Surya encounters the minister and solves his father's problem.
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
Cuenca, early 1990s. Amelia takes care of her soul friend Miguel, sick with AIDS, who, in his last wish, expresses his desire to receive the last rites and tells Amelia a secret that no one ever knew.
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
A preternatural spirit that haunted Jon (Corey Feldman) as a child is summoned by an ill-conceived séance to liven up a party only to unleash a litany of horrors and murders on the participants and anyone in his way.
Huo Yuanjia, hunted by the Qing soldiers, must master a new set of fist techniques to defeat them.