“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.
A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.
Exploring the relationship between man and technology, this day-in-the-life story concentrates on a computer programmer, inundated by technology, living a secluded lifestyle in Laurel Canyon with his two dogs. He struggles to maintain any real connection with friends, colleague or family, outside of communicating with them over the phone or computer.
Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.
Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.
Ermus Daglek, retired Empathtek engineer, commandeers a defunct factory where he creates androids based on persons from his past and recreates a dinner party where he lost the love of his life - until they malfunction and escape.
Lu has a perfect life. Or so she pretends to have. She meets the handsome, short-tempered Argentinian, Diego, who is on a visit to Mexico, and she is confident to get him head over heels in love with her. In order to win a wager with her friends, her life will take a turn when she does the impossible to win him over, including taking a trip to Argentina to look for him.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Animation created in Flash and After Effects looking at mans relationship with the natural world.
한 응급 구조대원이 목숨을 위협하는 방콕의 지하 세계 갱단과 엮이게 되면서 생존을 위한 사투를 벌인다.
This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.
돌고래야, 사람이야?! 정체를 알 수 없는 녀석이 온다! 바다 속 돌고래와 함께 자란 소년 ‘보이’ 어느 날 친엄마의 존재를 알게 된 ‘보이’는 자신의 뿌리를 궁금해하기 시작하고 … 혼란스러운 상황 속 ‘보이’는 악당 ‘옥토퍼스’로 인해 엄마 돌고래 ‘나나’를 잃고 해안가로 떠밀려간다. 평생을 자신이 돌고래인 줄 알고 살던 ‘보이’는 해안가에 사는 ‘머버리드 선장’의 도움으로 친엄마를 찾아내기로 결심하는데 … 2023년, 올겨울 유일무이 오션 어드벤처가 온다!
단순무식하기 그지없는 단짝 쟝갑과 마누는 어느 날, 자동차 트렁크에서 거대한 파리 한 마리를 발견하고 원대한 꿈을 꾼다. 파리를 훈련해 드론처럼 이용해서 돈을 벌자는 계획이다. 쿠엔틴 듀피유 작품들의 엉뚱한 시발점은 늘 서늘한 부조리 코미디극으로 변하고, 한 편 한 편이 깨어있는 채 꾸는 꿈을 닮았다.
태평양 연안의 바다. 한떼의 오르카 고래 무리가 유유히 헤엄치는데 갑자기 고래선이 나타난다. 날아오는 창에 맞은 고래의 피로 물드는 바다. 이곳으로 윌리는 새로운 가족 무리와 함께 찾아온다. 17세가 된 제시(Jesse: 제이슨 제임스 릭터 분)는 윌리에 대한 추억을 간직한 채 여름 방학 아르바이트로 고래를 연구하는 배에 랜돌프(Randolph Johnson: 오거스트 쉘렌버그 분)와 함께 승선하게 된다. 그들은 이 지역 바다에서의 오르카 고래의 감소를 연구할 목적이었다. 멀지 않은 곳에서는 10세 소년 맥스(Max Wesley: 빈센트 베리 분)가 아버지 존(John: 패트릭 킬패트릭 분)과 함께 배를 타고 항해 중이었다. 그러나 맥스는 자신의 아버지가 불법으로 고래 사냥을 한다는 것을 알고 실망하는데...
Ultra Music Festival 2015. In the middle of the pouring rain. Dash Berlin wrote history surprising the crowd with one of the most emotional, powerful and energetic sets the festival has ever seen and proved to be right at home at the big main stage.
What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.
Uma Thurman boogies, Harvey Keitel whips out his gun, Hitler’s head is sliced in half. And Quentin Tarantino sits serenely through it all, impervious to the mayhem he’s created.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.