With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.
The plot revolves around three men waiting to be deported in a prison. To escape the monotony, they form chess pieces from their bread rations, with which they then play against each other. Grünstein, a Polish Jew, proves to be a real talent, because although he is a beginner, he manages to defeat even the experienced player Lodeck, a German sailor, with his "Grünstein Variant".
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Tsuchiya, who lives with his single mother in Osaka, does not get serious work once he graduates from high school, but rather devotes himself to mailing jokes to the “Ohgiri” variety show. Seeking to be recognized as a show “Legend,” he devotes his entire life to laughter, setting himself the task of submitting hundreds of entries per day. At loose ends, he encounters a drifter, Pink, who finds him work at his bar while Tsuchiya now devotes himself to becoming a “postcard craftsman” who submits material to a radio program. The entertainers on the program begin to use material from his postcards. A comedian Tsuchiya admires, one of a comic duo called “Bacon,” says on the air that he admires Tsuchiya’s material and that he wants “to do material together.” Dreaming of another chance, Tsuchiya heads for Tokyo.
A force de travail et d’abnégation, Indien et Cowboy ont brillamment réussi leurs examens scolaires. En récompense, Cheval leur a acheté des tickets VIP pour la Grande Foire Agricole. Alors qu’il sort du salon pour aller chercher les billets, Cheval glisse sur un skateboard qui traînait là et tombe lourdement sur la tête. Résultat, Cheval se retrouve amnésique à l’hôpital et ne se souvient plus du tout où il a caché les tickets. Pour Indien et Cowboy commence une course contre la montre pour essayer de mettre la main sur les précieux sésames…
In an effort to discover the depth of the country's polarization, four recent college graduates decide to travel across the United States gathering stories encompassing the spectrum of life in America. Their goal is to find the human stories behind the nation's social and political schism, proving that Americans are not tied together by political identity, geographical location or belief systems, but primarily by love, hope and dreams - universal truths.
For nine years in the 1950s, Jan Troell worked as a teacher at the Sorgenfri primary school in Malmö (an experience he drew on for his study of a teacher's relationship with his class, Ole dole doff (Who Saw Him Die?) in 1968); he lived in a house once occupied by Ingmar Bergman. In Malmö, Troell made his first film, Stad (The City), about a day in the life of Malmö, showing the life of the people from dawn until dusk.
A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.
Rafael et Cristina vivent dans la même ville roumaine, mais font partie de deux mondes différents. Lui appartient à la communauté tsigane et rêve de devenir boxeur professionnel. Elle est comédienne, issue d'une minorité hongroise. À 19 ans, Rafael sort à peine de l'adolescence. Cristina, la trentaine, est mariée et mère de famille. Un beau jour, Cristina s'aperçoit que Rafael la suit. D'abord agacée, elle finit par être impressionnée par l'entêtement du jeune homme.
Two local boys fall in love with the girls of a local chicken shop vendor named Hanif. Hanif denies marriage and then the boys take help of a Local gangster Mama.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
When award-winning filmmaker Juan Antonio Moreno Amador learned that Seville's last brothel was being repurposed into a refugee reception centre, he moved in with his cameras.
Écartée de sa famille, il ne lui restait que la soif de réussir. Après des années d'acharnement, Crystal a enfin tout ce qu'elle désire... sauf l'homme qu'elle aime par dessus tout...
The documentary director KG Forsberg makes a film about his dying father.