جادوگری با نیروهای شیطانی، شخصیت‌های اصلی فیلم اسکوبی دو را به دنیای جادوگران پلید، شوالیه‌های جوانمرد و اژدهای بزرگ و ترسناک در زمان گذشته، منتقل می‌کند. در این میان پادشاه آرتور برای نجات تاج و تخت خود به کمک فوق کارآگاهان محبوب ما نیاز دارد. اما تلاش‌های شجاعانه آنها فقط اوضاع را از نظر سلطنتی بدتر خواهد کرد! حالا اسکوبی دو و دوستانش باید از این مخمصه فرار کنند و…
On Christmas Eve, Kelly is reluctant to go to a Christmas Eve ball, so Barbie tells her the story of Eden Starling, a glamorous singing diva in the Victorian England and the owner of a theatre house. However, Eden is self-centered and loves only herself. She is frequently accompanied by her snooty cat, Chuzzlewit. She does not believe in Christmas and orders all her employees to work on Christmas.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
تونی استارک از سمّی مهلک درون بدن خود، که از آثار سو فناوری مردآهنی است بطور مخفیانه رنج می‌برد. او قدم به قدم به مرگ نزدیکتر می‌شود. اما از سوی دیگر، یک مهندس روسی بنام «ایوان» در صدد است از تونی استارک انتقام مرگ و زندگی سخت پدر خود را بگیرد. پدرش سابقا همکار پدر تونی استارک بود. او موفق به ساخت شلاق‌های انرژی‌داری می‌شود که قابلیت رد شدن از آهن را دارند. در جریان سفری به موناکو تونی با وی برای بار نخست روبرو می‌شود. از سوی دیگر دولت آمریکا بدنبال تسخیر فناوری مردآهنی برای مقاصد اسلحه‌سازیست. تونی مدام مقاومت می‌کند. تا اینکه تونی به یک پیغام شخصی از پدر مرحوم خود برخورد می‌کند و …
A tight-knit group of New York City street dancers, including Luke and Natalie, team up with NYU freshman Moose, and find themselves pitted against the world's best hip hop dancers in a high-stakes showdown that will change their lives forever.
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.
A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.
Two years after the first series of murders, as Sidney Prescott acclimates to college life, someone donning the Ghostface costume begins a new string of killings.
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.
Seven years ago, Zaid went to war against the Copenhagen underworld to avenge his dead brother. His identity as a respected doctor of cardiology and life as a family man is but a fading dream, and in prison Zaid suffers the loss of his son Noah, whom he barely knows. When a police agent approaches Zaid and offers him a deal to be released in exchange for infiltrating the Copenhagen underworld, he sees his chance to reclaim the remnants of the family life he left behind. But everything has a price, and Zaid realizes that he has now seriously endangered his son's life. After all, once you become part of the underworld, is there any way out?
The main character of the film is an outstanding physicist who was invited to Armenia from Russia to head a lab. He comes across many troubles in his homeland, but nevertheless finds his true love there.
"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.
After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.