Master monologist Matt Smith turns his 8th grade year in 1966-67 into a wild coming-of-age film---a comedy grounded in his Catholic education, racism, and the joys and horrors that are male adolescence.

Sparta Academy is the nation's top prep school, where students with poor grades undergo frightening torture under the school headmaster's direction. Kekko Kamen makes her appearance at the school in outrageous attire, completely naked except for her red mask, boots and gloves, and attacks the torturing teacher.

Bastien and Ségard decide to leave France for Canada. They buy tickets aboard a rickety craft, the Tenacity, that never quite seems able to leave port. While stuck there they both fall for the innkeeper's daughter, which causes them to rethink their Canadian notions.

Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.

Lucky Diamond is a Hong Kong Comedy directed by Yuen Cheung-Yan and starring Alex Man and Anita Mui.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Maria steps into her mother's apartment, a bittersweet journey down memory lane. The rooms echo with the echoes of her childhood, as she spots the familiar furniture and treasured trinkets. Loneliness settles in, a quiet companion. She recalls the days when her mother's voice would call out her name, back by their favorite tree, in simpler times.

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

Stathis, an honest and hardworking young man who lives with his uncles, angry with everyone and everything and says literally out of his teeth. Enough, in fact, still arguing with the woman he loves, the attendant Katy, which eventually forced to flee abroad because of a serious illness.

It is said that the brightest lights burn out the fastest, and the explosive flash that was ECW is headed for the twilight in 2000. The company would collapse in early 2001 and we will join Justin Credible to walk down the plank toward the end of an era. Credible would wear the ECW title in 2000 and complete the journey he calls the most creatively satisfying time in his career. Put this one at the right end of the DVD shelf as we detail the closing chapter on the federation that changed the game. The renegades would leave behind a wrestling legacy like no other as ECW fades with very little fanfare…in this edition of Timeline!

Mama, Papa and the two kids try to break into showbiz as a singing quartet.

When two kids wish for their parents to listen to their dreams, a whole world opens up to them.

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

Screen adaptation of two works by science fiction writers: “Noise Level” by Raymond Jones and “Shadow of the Past” by Ivan Efremov.

Ancestral follows a giant anteater as it moves through a jungle, its silky coat contrasting with the rough shrubbery. A native to Brazil, and a national symbol for the country, our protagonist carries a small child on its back, eating ants from the ground with its long, tubular snout and picking at the dirt with its claws. The film refuses any particular temporality, as the creature evokes those that have roamed the earth for centuries. In titling the film Ancestral, Roque aligns the animal as a familial forebear—majestic, androgynous, gentle, and sculptural.