"WE ALL PLAY" addresses the reality of the LGBTQIA+ community in sport. In a trip around the world, we will meet outstanding world elite athletes, who will talk, many of them for the first time, about their personal and professional experiences in first person.
Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.
In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.
The story of an impossible love between a woman named Fred and a transgender woman named Laurence who reveals her inner desire to become her true self.
Comedy icon Dave Chappelle makes his triumphant return to the screen with a pair of blistering, fresh stand-up specials. Filmed at the Moody Theater in Austin, Texas, in April 2015.
A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.
Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.
After World War I, Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Filmu triloģijas par Austrijas imperatores Sisī dzīvi trešā un noslēdzošā daļa. Dzīve Vīnes galmā joprojām šķiet nomācoša jaunajai imperatorei, tādēļ viņa daudz laika pavada Ungārijā, pamatojot to ar faktu, ka tagad viņa ir arī Ungārijas karaliene un viņas mērķis ir samierināt dumpinieciskos Ungārijas aristokrātus ar Austrijas impēriju. Tomēr Ungārijā Sisī uzzina noslēpumu, kura dēļ viņa nekavējoties atgriežas Vīnē. Liktenis nav žēlīgs pret jauno valdnieci, un smagas slimības diagnoze liek viņai pamest gan viņas mīļoto Franci Jozefu, gan savu bērnu. Vai Sisī izveseļosies, atgūs savu ģimeni un spēs novērst kara draudus impērijai?
Follows a young cyclo driver on his poverty-driven descent into criminality in modern-day Ho Chi Minh City. The boy's struggles to scratch out a living for his two sisters and grandfather in the mean streets of the city lead to petty crime on behalf of a mysterious Madame from whom he rents his cyclo.
An intimate portrayal of a quest for love and acceptance at any cost, Q depicts the influence of a secretive matriarchal religious order on filmmaker Jude Chehab’s family and the unspoken ties and consequences of loyalty that have bonded her mother, grandmother, and herself to the mysterious organization. A love story of a different kind, Q is a multigenerational tale of the eternal search for meaning.
A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.
For Anna Maria, paradise lies with Jesus, and she devotes her time to door-to-door missionary work. One day after years of absence, her husband, an Egyptian Muslim confined to a wheelchair, comes home—and soon prayers are replaced by fighting.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Gilles, who operates a money losing garage, teams up with his friends Max, who operates a scrap yard, and lawyer Xavier to open a brothel catering to women. They get the idea from Gilles' secretary Irma, a former prostitute. They are assisted in the implementation by Max's wife Juliette and Sabine who is mad for Gilles. Unfortunately Gilles has fallen for Florence the daughter of the conservative Prime Minister and his wife. When the Prime Minister tries to shut down the brothel Gilles decides to stand against him in the election.
A devious and psychotic student tries to frame a new girl at school for a teen's accidental death at a party.
Trešā filma kinofilmu sērijā par suni Bēthovenu. Ņūtonu ģimenes galva Ričards apņēmies mājiniekiem sagādāt neaizmirstamu ceļojumu ar kemperi. Bēthovenu, kuru uzticējis pieskatīt Ričarda brālis Džordžs, nav paredzēts ņemt līdzi. Tomēr suns slepus piebiedrojas ceļiniekiem un ne vien sagādā galvassāpes un lielus tēriņus Ņūtoniem, bet arī paglābj visus no neganta zagļu pāra Tomija un Viljama, kuri kaļ plānus nozagt Ņūtoniem DVD ar slepenu programmu. Lai gan sākumā Bēthovens šķitis par apgrūtinājumu, beigās viņu iemīl ne vien mazā Sāra, bet visa Ņūtonu ģimene.
Cromwell is a town whose history is intertwined with that of a local legend; The Pumpkin Man. Most people don't believe the tales, but when Catherine Quinn discovers the missing piece of the legend, she and her friends will come face to face with the Demon of Fall... Kürbis.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.