After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.

Ikääntyneet vanhemmat Shukichi (Chishu Ryu) ja Tomi Hirayama (Chieko Higashiyama) lähtevät käymään kiireisten lastensa luona Tokiossa ja Osakassa. Päästyään perille Tokioon pariskunta huomaa, ettei lapsilla ole aikaa heille, koska heillä on oma elämä, työ ja perhe, joiden välillä heidän on vaikea tasapainotella.

Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army and revolts against the abusive treatment against the recruit Obara. He also sees his friend Shinjô Ittôhei defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Roman and Hanka have a loving marriage, but his impotence has led to her having an affair. The unbearable situation drives Roman to extreme measures both physically and mentally, testing their love and his own will to live.

A young governess for two children becomes convinced that the house and grounds are haunted by ghosts and that the children are being possessed.

Jännityselokuva Lontoossa asuvasta nuoresta naisesta, joka riutuu masennuksen, seksuaalisten kuvitelmien ja väkivaltaisten painajaisten puristuksessa.

In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.

Suvaitsemattomuus (Intolerance) on vuonna 1916 valmistunut yhdysvaltalainen mykkäelokuva, jonka ohjasi D. W. Griffith. Elokuva oli vastaisku kriitikoille, jotka moittivat Griffithin edellistä elokuvaa, Kansakunnan syntyä, sen rasistisesta sisällöstä.

As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West. What started as an internal strife in Outrage has now become a nationwide war in Outrage Beyond.

17 year old Nói drifts through life on a remote fjord in Iceland. In winter, the fjord is cut off from the outside world, surrounded by ominous mountains and buried under a shroud of snow. Nói dreams of escaping from this white-walled prison with Íris, a city girl who works in a local gas station. But his clumsy attempts at escape spiral out of control.

Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.

Five years after the all-out war between the Sanno and Hanabishi crime families, former yakuza boss Otomo works in South Korea for Mr. Chang, a noted fixer. When tensions rise between Chang and the Hanabishi, and Chang's life is endangered, Otomo returns to Japan to settle things once and for all.

Saxophone player Charlie ‘Bird’ Parker comes to New York in 1940 and is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him.

Surrounded by fans and skeptics, grizzled director J.J. "Jake" Hannaford returns from years abroad in Europe to a changed Hollywood, where he attempts to make his innovative comeback film. This film was started in 1970 but never completed during Welles lifetime.

Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.

25 vuoden jälkeen Silva ratsastaa hevosella aavikon halki tapaamaan ystäväänsä sheriffi Jakea. He juhlivat tapaamista, mutta seuraavana aamuna Jake kertoo hänelle, että matkan syynä ei ole heidän ystävyytensä muistelujen läpikäyminen.

It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.

Three bank clerks decide to expose the crimes of their boss who not only makes their life's a living hell, but also uses the bank money for personal purposes. After getting inside their bosses country house and finding a huge amount of cash, our guys change their mind about exposing him and start thinking about just keeping the money and living the dream. Our characters, however have no clue that there is more to the story that meets the eye and behind the money lies a much bigger fish then there criminal boss.