The days go by and Marga lives locked in the room of her brother Jorge, who has recently committed suicide. Marga searches through her things, hoping to find an explanation that will allow her to navigate her pain. After finding something unexpected she will decide to face her pain and begin to heal him.

In 2005, to raise money for Comic Relief, Walliams and Lucas made a special edition of the show, dubbed Little, Little Britain. The episode included a variety of sketches with celebrities including George Michael, Robbie Williams and Sir Elton John

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

An inspiring account of Milwaukee's Neil Diamond tribute band/husband and wife singing duo, Lightning & Thunder, and their tragic love story.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

Miss Brill creates a false reality in which she is connected to the other patrons at a local park in order to escape the alienation and feeling of disconnection that she experiences.

Six vignettes pit an assortment of characters against each other in everyday situations.

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

A két csaló, Jack és Ray az Alibi nevű cégükkel jó pénzért alibit biztosítanak hűtlen házastársaknak. Egy félresikerült akció során, melybe belekeveredik a szépséges Lola is, egy befolyásos ügyfél véletlenül megöl egy nőt. Miután ötmillió dolláros vérdíjat tűznek ki rá, Jack nyomtalanul eltűnik. Sokan és sokféleképp próbálják őt megtalálni, a pénzért többen is versenybe szállnak, csakhogy Jack dörzsöltebb mindannyiuknál.

A Los Angeles psychiatrist testifies for the prosecution in the trial of an accused child molester. Later the defendant, who is out on bail, is found dead in the psychiatrist's office, in what appears to be a suicide. Shaken, the psychiatrist moves to the mountains outside of L.A. Not long afterwards a detective he knows comes to him for help. A seven-year-old girl saw someone kill both of her parents, but is so traumatized by the event that she can't remember anything, and the detective wants the doctor to help jar her memory. Soon, however, the doctor and the detective discover that the parents' murder and the pedophiles "suicide" may be linked to a shadowy group of wealthy and influential pedophiles, and that the child isn't the only one whose life is in danger.

Four raw stories about justice and law.

FROM ACCLAIMED INDIE SHORT FILMMAKERS, THE VARAVA BROTHERS, COMES THE WHIMSICAL AND HISTORICALLY ACCURATE TALE OF ONE TUMBLEWEED THAT DID NOT TUMBLE.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

Fetish unfolds at London’s Freud Museum, depicting the yearly nighttime cleaning of the psychoanalyst’s personal collection of archeological statues and artifacts. Exposing the unseen procedural activities of the museum, the material and exquisitely mundane qualities of these objects are disclosed. The leading protagonists–analyst, patient (and tourist visitor)—are present only in the objects’ endless accumulation of dust and its painstaking, methodical removal. The artist’s rendering of the ritual cleaning allows for a reverse gaze at Freud’s personal collection and furniture—alternately tender, projective and voyeuristic, as the conservator’s brush sweeps the delicate surfaces of each object, or pulls back fabric upon fabric to reveal a couch’s hidden structure. Through subtle parallels, these objects, processes, and the intimate empathy their simultaneous systems each suggest, are both mirrored and revealed.