A young actress arrives late to a casting, making up a great excuse without knowing a small detail.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
On July 9th GCW presents Fight Club Houston straight from Premier Arena in Houston, Texas. The lineup is almost completed, check it below: AJ Gray vs Bryan Keith Nick Gage vs Sadika Joey Janela vs Dante Ninja Mack vs Jack Cartwheel Effy vs Gino Jimmy Lloyd vs Carter Lucha Scramble .... more to be added soon!
After marriage, a woman struggles to be the submissive wife that her husband and his family expect her to be.
Basel Adra, um jovem ativista palestiniano de Masafer Yatta, na Cisjordânia, luta desde a infância contra a expulsão em massa da sua comunidade pelas autoridades israelitas. Documenta a erradicação das aldeias da sua região natal em câmara lenta, onde os soldados destacados pelo governo israelita vão demolindo gradualmente as casas e expulsando os seus habitantes. A certa altura, conhece Yuval, um jornalista israelita, que o apoia nos seus esforços.
A construction film collected from archival footage of the twenties and thirties of the last century, preserving memories of the construction of a new life and way of life: the launch of the metro, hard work in production, cultural life and recreation. By combining two parallel stories - the state film chronicle and diary entries - an attempt is made to revise historical archives and customary knowledge about time. The collective image of a hero from the crowd is brought to the fore.
To appease his parents' wishes, Bian marries Tari with the condition that they divorce after a year. But budding feelings threaten their plans.
Two friends Marzouk and Barakat, work with street vendor Batta on her cart in the melon trade. Al-Gayiar who works in the trade of stolen cars admires them, they work with him till they become his competitors. He decides to get rid of them after they've become a treat.
Documentary of the making of the sequel to the popular Schwarzenegger film, The Terminator.
Após o reboot, o DigiEscolhidos devem tentar reconectar-se com o seu Digimon.
The Fixies are little creatures that, unseen by humans, help them maintain their appliances – and generally make sure things don’t fall apart… Until an unexpected occurrence of gargantuan proportions threatens to reveal the Fixies’ existence!
Quando a família de Vijay Kumar, um polícia honesto, é impiedosamente chacinada por um político e os seus ajudantes, ele decide mudar de identidade e dedica a sua vida a criar a filha num ambiente sereno. Mas alguns acontecimentos estranhos acabam por comprometer a sua identidade e o que ele faz para salvar a sua filha e vingar a morte da sua família desenrola-se em Theri.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Uma enfermeira que cuida da doença misteriosa de sua filha luta para esconder seus segredos quando estranhos indesejados se abrigam em sua casa durante uma nevasca letal.
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.