The film Made in Hong Kong allows glimpses on a Hong Kong shortly before the 1997 handover to China. But rather than focusing on the expected hysteria Luc Schaedler’s documentary debut works towards complexity by allowing six diverse residents to talk about their relationship to the colonial city. Their life stories beautifully mix with the images of the author. Made in Hong Kong is a very personal portrait of a city in transition and we learn about Hong Kong’s ambiguities and its political and social problems, as well as the uncertainties regarding the time after 1997.

Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

In a world where communication has grown into big business, the lack of it between individuals is almost a paradox. We live in tight little compartments that are not easily penetrated. Individual differences are regarded with suspicion or scorn. This animated film parodies the human condition in a few quick, colourful sketches, amusingly, without words, yet leaving food for thought.

The true story of Maureen Kearney, the head union representative of a French multinational nuclear powerhouse. She became a whistleblower, denouncing top-secret deals that shook the French nuclear sector. Alone against the world, she fought government ministers and industry leaders, tooth and nail to bring the scandal to light and to defend more than 50,000 jobs.. Her life was turned upside down when she was violently assaulted in her own home... The investigation is carried out under pressure: the subject is sensitive. Suddenly, new elements create doubt in the minds of the investigators. At first a victim, Maureen becomes a suspect.

While Aurora "Roe" Teagarden searches for her piece of the American dream, she decides to test the waters of the family business - real estate sales. Only thing is there's a dead body in the first house she shows. When a second body shows up in another home, Roe realizes there's more to real estate than she thought.

A short film based on the S.T.A.L.K.E.R. fictional universe, combining the “Picnic to the curb” of the Strugatsky brothers, “Stalker” by Andrei Tarkovsky and the “Exclusion Zone” location around the Chernobyl NPP. According to the scenario, an agent of the peacekeeping forces, nicknamed "The Photographer", arrives in the Zone to prevent a global scale catastrophe, which could be caused by an experiment that went out of control at a scientific lab.

На път към САЩ след дълга военна мисия, младата Кели очаква с нетърпение да се завърне отново в малкото и тихо градче в което е отраснала. След месеци прекарани в опасна военна зона, единственото което тя иска е да усети отново удобствата на нормалния начин на живот - килимът под краката й, студената бира пред телевизора и допира на малкото й бебе. Но бавно и постепенно, Кели осъзнава че ежедневието и отношенията в градчето се различават от това което тя си спомня. Въпреки това, тя е твърдо решена да намери своето място в обществото и отново да заживее по достоен начин.

In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.

A short, graphically dynamic work contrasting contradictory views of perception and interpretation, by way of society's assumptions vis-a-vis phallocentrism and fetishism.

Разказва историята на млада жена на име Ейлийн, която работи като секретарка в младежка затворническа институция в Масачузетс през 1964 г. Тя е отчуждена от семейството си и не намира смисъл в живота си. Един ден в институцията пристига нова служителка, д-р Ребека Ст. Джон, която бързо привлича вниманието на Ейлийн. Ребека е красива, чаровна и мистериозна, и Ейлийн е очарована от нея.

Група учители трябва да се защити, след като няколко ученика окупират сградата на училището в продължение на часове.

След фаталния инцидент ослепя, но откри как да изкарва пари. Прие да наглежда къщата и котката на заминаваща в чужбина жена, която я откри в обявите. Заплащането беше добро, но Сара не предполагаше, че още първата нощ крадци ще нахлуят в дома. Беше сама. Сама и само с приложението на телефона си "Гледай вместо мен" трябваше да намери начин да оцелее, докато дойде полицията...

In a small Midwestern town, a deadly annual ritual unfolds when the mythical nightmare, Sawtooth Jack, rises from the cornfields and challenges the town’s teenage boys in a bloody battle of survival.

When a singer goes missing amid a serial killing spree, a cabbie and a businessman's son cross paths in a twisted tale where good and evil is blurred.

След обира на заложна къща, бандата на Коуди (Стивън Дорф) и Алекс (Емил Хърш) взимат случайно озовалата се там Грейс (Джиджи Зумбадо) за заложница и се впускат в бягство от полицията. Не след дълго се озовават край една изоставена ферма насред пустошта, където решават да се укрият за през нощта. Скоро осъзнават, че фермата не е съвсем изоставена и им предстои да се срещнат с нещо много по-ужасно от полицията...

Psychotic Angela is itching to do what she does best: slaughter dozens of teenage campers. As luck would have it, the previous site of her murders has been renamed and converted into an experimental summer camp meant to bring together privileged and lower-class teens. On the day the youths are boarding the buses to camp, Angela runs over a potential camper with a garbage truck and assumes her identity. Once she has infiltrated the camp, the real terror begins.

A Long Way Home takes us on a fascinating journey into both the grim days of recent Chinese history and the dazzling cultural scene in present-day China. The film centers around five of the most significant representatives of contemporary Chinese counterculture: the visual artists the Gao Brothers, the choreographer and dancer Wen Hui, the animation artist Pi San and the poet Ye Fu. With bravery and subversive wit, they each shed light on the social problems in their country. In doing so, the film poses universal questions that ultimately concern us all: which values determine our cultural identity and in what kind of world do we want to live.