Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.
Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, his group is attacked in an ambush. The survivors flee and make a decision to lay low at the beach while they await further instructions.
Tajanstveni Charles Oakley (J. Cotten), kojeg prate dvojica muškaraca, odluči se skloniti na sigurno, te iz Philadelphije otputuje u maleni kalifornijski gradić Santa Rosa, u kojem živi njegova sestra Emma Newton (P. Collinge) sa svojom obitelji. Newtoni su tipična američka obitelj: Emmin suprug Joseph (H. Travers) bankovni je činovnik, Emma je kućanica, a njihovo troje djece muče problemi tipični za njihovu dob, malene Rogera (C. Bates) i Ann (E. M. Wonacott) dječji, a adolescentica Charlie (T. Wright) sve je nezadovoljnija običnim obiteljskim životom. Dolazak ujaka Chalireja razveselit će isprva sve njih, pogotovo Charlie, koja je po njemu i dobila ime. Ipak, upravo će Charlie nakon nekog vremena početi sumnjati u karakter svoga omiljenog ujaka. Naime, ujak Charlie očito skriva neku mračnu tajnu pa izbjegava fotografiranje, a iz novina trga stranice koje obitelj ne bi smjela vidjeti.
Walter Burns is an irresistibly conniving newspaper publisher desperate to woo back his paper’s star reporter, who also happens to be his estranged wife. She’s threatening to quit and settle down with a new beau, but, as Walter knows, she has a weakness: she can’t resist a juicy scoop.
An enthralling and fast-paced four-part documentary feature that covers the making of one of the last major Hollywood epics; Titanic. Cast and crew speak on setting the sinking of the ship against a classic romance. The feature also examines casting and the young couple headlining the film, DiCaprio's and Winslet's on-set friendship and their differing acting styles, the expansive sets and filming locations, the authenticity of the recreated ship, James Cameron's work and dedication, and budgeting. And many more aspects of the film are overviewed.
A French housekeeper with a mysterious past brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late 19th century Denmark.
A son in denial of a serious illness. A mother facing the unbearable. And between them a doctor fighting to do his job and bring them to acceptance. The three of them have one year and four seasons to come together and understand what it means to die while living.
In France, before WWI. As every Sunday, an old painter living in the country is visited by his son Gonzague, coming with his wife and his three children. Then his daugther Irene arrives. She is always in a hurry, she lives alone and does not come so often... An intimist chronicle in which what is not shown, what is guessed, is more important than how it looks, dealing with what each character expects of life.
Ex-safecracker Gal Dove has served his time behind bars and is blissfully retired to a Spanish villa paradise with a wife he adores. The idyll is shattered by the arrival of his nemesis Don Logan, intent on persuading Gal to return to London for one last big job.
In 18th century France, the Chevalier de Fronsac and his Native American friend Mani are sent by the King to the Gevaudan province to investigate the killings of hundreds by a mysterious beast.
An unflinching, fragmentary look at a handful of self-destructive, marginalized people, but taking as main focus the heroin-addicted Vanda Duarte.
A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch.
Little magic and plenty of imagination turns a young man's room into a hub where various adventures await him.
A vampiric doctoral student tries to follow the philosophy of a nocturnal comrade and control her thirst for blood.
A Polish vehicle traverses the roads of Ukraine. On board, people are evacuated following the Russian invasion. This van becomes a fragile and transitory refuge, a zone of confidences and confessions of exiles who have only one objective, to escape the war.
Born with their immune systems damaged, Tom and Lola are doomed to live their lives in isolation, sealed in separate plastic bubbles. However, neither cold urethane nor chillier hospital technicians can keep down the beguiling spirit of these indomitable siblings.