In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

A young bride in the midst of her wedding finds herself mysteriously transported to the TARDIS. The Doctor must discover what her connection is with the Empress of the Racnoss's plan to destroy the world.

‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.

Emma's plans get thrown off course when Paolo returns to Italy to take care of his father and she discovers a new passion for making art accessible to all.

뉴욕 상류사회, 주인공들은 광고회사 디자이너 로라와 그의 보호자격인 칼럼니스트 왈도, 그리고 그의 죽음을 수사하는 과묵한 민완형사 마크등 3인. 로라가 자기 집에서 얼굴이 무참히 일그러진채 살해되면서 마크가 사건 수사를 맡는다. 마크는 펜을 독검처럼 휘두르는 왈도가 로라를 뉴욕광고계의 실력자로 키웠으며 로라를 광적으로 사랑하나 로라는 다른 남자를 사랑했다는 사실을 알아내고 왈도를 유력한 용의자로 지목한다.

하얀 바탕 위에 석류가 놓이고, 칼이 놓이고 그 밑으로 핏빛 액체가 번져간다. 남자의 발이 탐스러운 포도를 짓이기면 글씨가 기록된 석판 위로 흥건한 과육이 흐른다.

In the fifth film of the Lone Wolf and Cub series, Ogami Itto is challenged by five warriors, each has one fifth of Ogami's assassin fee and one fifth of the information he needs to complete his assassination.

Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.

Do, who doesn't take much consideration about his marriageis circled with so many debts. He lied to his mother in law to get some money. Do and his wife eventually got a divorce and Do moved out to Kuala Lumpur to start a new life. Re on the other hand has a wife who is working at a night club whereas he stays at home and takes care of the house chores. Due to re's negligent behaviour his wife's money was stolen and he was told to leave the house bringing him dragging himself to the big city. Mi, a bachelor who is head over heels with the girl who is staying across his house often loans him some money. While Mi was out looking for a job he helped out capturing the theif who snatched a lady's handbag alongside with Re and Do who was in the area and helped out as well. They became close friends since then.

한 노인부부는 기생 생물을 키우고 있다. 기생생물의 이름은 엘마이며, 먹이는 뇌. 그중에 사람의 뇌틀 특히 좋아한다. 그리고 뇌틀 먹여주면 환각과 엄청난 쾌락을 주는 성분을 사람의 뇌에 뿌려준다. 어느때와 같이 키우는 기생생물에게 먹이(뇌)를 주려 욕조로 향하지만, 이 생물은 탈줄해버리렸고, 한편 평범한 청년인 브라이언은 잠을 자고 일어나는데 손에 엄청난 양의 피가 묻어 놀라 욕실로 뛰어가고 자신의 목뒤에 구멍을 발견한다. 그순간 환각과 쾌락이 브라이언을 집어삼키고 몸부림친다. 어느순간 정신을 차리고 욕조로가 거울을 보는데 순간 목뒤에서 나타나 말을 거는 기생 생물. 그리고 자신에게 먹이틀 공급해주면 그 쾌락을 맛보게 해주겠다고 브라이언을 꼬득이고 맏보기로 조금 넣어준다. 브라이언은 홀딱넘어간다. 사람 3명의 뇌를 기생생물이 먹는 것을 방치한 브리이언은 자괴감을 느끼고 기생생물에게서 벋어나려 노력하지만 이미 그의 뇌는 기생생물이 주는 성분에 중독되어 버려 환각과 고통을 느끼게 되는데...

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

For Kevin, a shy teenager, being bullied is part of everyday life. But one day an older guy, Benny, comes to his aid. Impressed by Benny's self-as-sured appearance, Kevin seeks his company from then on, and increasingly idolizes him. But Benny's intention is not to protect the younger boy, quite the contrary.

로마의 거대한 외곽순환도로 ‘그라(GRA)’와 그 주변인들의 삶을 그린 다큐멘터리. 감독은 2년에 걸쳐 구불구불한 형태만큼이나 파란만장한 이 도로 이면의 보이지 않는 세계들, 규명하기 어려운 교묘한 특성들, 스쳐 지나가는 환영들, 그리고 가능한 미래들을 밝혀준다.

Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South - trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.

맨느-오세앙은 파리에서 생나자르로 가는 기차의 이름이다. 프랑스로 여행을 온 데자니라는 기차에 탔다가 차표 문제로 인해 작은 소동에 휘말리고, 마침 같은 칸에 탔던 변호사 미미가 그녀를 도와준다. 이때부터 데자니라와 미미는 짧은 여행을 함께하며 많은 사람들을 만난다. , 의 자크 로지에가 연출한 또 한 편의 휴가 영화.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

Insulted by Rosario, a rich businessman, Jai Kishen a Matchmaker teaches him a lesson by getting his daughter married to Raju, a Coolie, who poses to be a millionaire. They sense something fishy and Raju's deceptions are discovered. In an attempt to cover it up, he cooks up a story of having a filthy rich twin. One lie leads to another and things start to go awry culminating in a comedy of errors.

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.