SummerSlam (2004) was the seventeenth annual SummerSlam PPV. It was presented by Stacker 2's YJ Stinger and took place on August 15, 2004 at the Air Canada Centre in Toronto, Ontario and featured talent from the Raw and SmackDown! brands. The main match on the Raw brand was Chris Benoit versus Randy Orton for the World Heavyweight Championship. The predominant match on the SmackDown! brand was John "Bradshaw" Layfield (JBL) versus The Undertaker for the WWE Championship. The featured matches on the undercard included Kurt Angle versus Eddie Guerrero and Triple H versus Eugene.
Cinq portraits intimes de migrants ayant fui leur pays d’origine pour venir se réfugier en France et trouver un espace de liberté où ils peuvent vivre pleinement leur sexualité et leur identité sexuelle : Giovanna, femme transgenre d’origine colombienne, Roman, homme transgenre russe, Cate, mère de famille lesbienne ougandaise, Yi Chen, jeune homme gay chinois…
David, a sensitive 12-year-old boy, is teased and alienated by his brutish older brothers and father, until he gets a bit of vindication.
Two friends on their way to a game of kickball find themselves incessantly pressured to join an incompetent satanic cult.
A documentary about F.W. Murnau.
A couple gets a robot for psychological support after losing their only child.
La véritable histoire de Doug Bruce, qui s'est réveillé sur une l'île avec une amnésie totale.
In 1940, during the outbreak of Greek-Italian war, Dimitris Nicolaou goes to fight as lieutenant in Greek-Albanian border. After their victory over Italians by epic battles, Dimitris is.....
Convinced that the average male couldn't tell the difference between a living woman and a corpse, the nefarious Dr. Frankenstein creates an undead sex-kitten named Eve.
Dans un voyage dans l'abstrait, Jerry, chassé par Tom tombe dans l'air, s'accroche à un point d'interrogation et flotte doucement jusqu’au sol tandis que le chat attrape un point d'exclamation et tombe comme une pierre.
2 flics incompétents sont charges de retrouver le fils d’une star de la TV, qui a été kidnappe. Le chef de la police leur assigne sa propre fille, policière gaffeuse, afin de les aider.
Lea Lyon, the daughter of a rabbi, lives happily with her father in their Gulicinu village, but there are rumblings of war. Soon, the village is overrun with the Imperial troops of the Russian Czar, with Constantine in Imperial command. He is attracted by the beauty of Lea and commands her to come to his quarters. She refuses and he is outraged. He orders the townspeople barred behind their doors and the village burned. Though she loves her honor above everything else, she can not bear to see the villagers suffer, and makes the lonely walk through the village to the Inn.
À l’exception du commandant Van Meer, l’équipage du navire devient lentement fou à cause de l’exposition aux produits chimiques de la peinture à bord et croit qu’un exercice d’essai de missiles est en fait une guerre nucléaire. Il explore l’incapacité des structures de commandement américaines à contrôler et à empêcher les officiers de sous-marins malhonnêtes de lancer des missiles balistiques.
"Flat image (of snowbound suburban housing tract) blossoms into 3D only when viewer places Eye Opener before the right eye. (Keeping both eyes open, of course. As with all stereo experiences, center seats are best. Space will deepen as one views further from the screen.) The found-sound is X-ratable (not for children or Nancy Reagan) but is important to the film's perfect balance (GLOBE is symmetrical) of divine and profane.. - K.J.
Two college graduate students invent a machine for traveling backwards in time hoping to become superheroes by altering history in the saving of lives.
In the familiar surroundings of their everyday lives, they talk about things that matter to them, about experiences that move them, about first love and loss, hopes and fears. 13 adolescents from a school in Donbass which was destroyed during the war in Ukraine, and subsequently rebuilt, share themselves in front of the camera. 13 lives inhabiting an intermediary space, both emotionally and socially.