A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.
A formal dinner party starts out normally enough, but after the bourgeois group retire to the host’s music room, they inexplicably find themselves unable to leave.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
After hiding a murderer, a Catholic priest is forced into self-exile and decides to embark on a pilgrimage through the Mexican countryside.
Princess Jasmine grows tired of being forced to remain in the palace, so she sneaks out into the marketplace, in disguise, where she meets street urchin Aladdin. The couple falls in love, although Jasmine may only marry a prince. After being thrown in jail, Aladdin becomes embroiled in a plot to find a mysterious lamp, with which the evil Jafar hopes to rule the land.
Two lighthouse keepers try to maintain their sanity while living on a remote and mysterious New England island in the 1890s.
Marty, a butcher who lives in the Bronx with his mother is unmarried at 34. Good-natured but socially awkward he faces constant badgering from family and friends to get married but has reluctantly resigned himself to bachelorhood. Marty meets Clara, an unattractive school teacher, realising their emotional connection, he promises to call but family and friends try to convince him not to.
Based on the tragic true story of China's first prima donna of the silver screen, Ruan Lingyu, chronicling her rise to fame as a movie actress in Shanghai during the 1930s.
Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.
An inspirational speaker becomes reinvigorated after meeting a lively woman who shakes up his mundane existence.
A mid-level manager who develops an aversion to being a good person questions his morality as he faces the challenges of middle age and loses control of his life.
Kenichi and his detective uncle, Shunsaku Ban, leave Japan to visit Metropolis, in search of the criminal, Dr. Laughton. However, when they finally find Dr. Laughton, Kenichi and Shunsaku find themselves seperated and plunged into the middle of a larger conspiracy. While Shunsaku searches for his nephew and explanations, Kenichi tries to protect Tima (a mysterious young girl), from Duke Red and his adopted son Rock, both of whom have very different reasons for wanting to find her.
The assassination of the would be ruler of Rome at the hands of Brutus and company has tragic consequences for the idealist and the republic.
With his family away for their annual summer holiday, a publishing executive decides to live a bachelor's life. The beautiful but ditzy blonde from the apartment above catches his eye and they soon start spending time together—maybe a little too much time!
An idle part-time college lecturer is annoyed by the yapping sound of a nearby dog. He decides to take drastic action.
A wife, overwhelmed with hatred for her husband, inflicts an unspeakable wound on their son, as the family heads towards horrific destruction.
To inherit her father's company, socialite Ellen must first visit his small hometown, where she learns the value of hard work and helping others.
Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off 'Now!', one of the most powerful bursts of propaganda rendered in the 1960s.
An agoraphobic woman living alone in New York begins spying on her new neighbors only to witness a disturbing act of violence.
Life-long business partners Santiago and Eugenio care for each other, and need each other. When Eugenio suddenly vanishes, Santiago and Eugenio’s wife, join forces to look for him. What they discover is not what they set out to find, and their shared journey becomes a surprising and lighthearted meditation on friendship, love, and loyalty.