Štiričlanska Ki-taekova družina si je sicer zelo blizu, vendar nihče nima službe, prihodnost pa ni obetavna. Sinu Ki-wooju se nasmehne sreča, ko ga prijatelj, ki obiskuje prestižno univerzo, predlaga za dobro plačano službo. Ki-woo, ki na ramenih nosi pričakovanja celotne družine, se odpravi k družini Park na razgovor. Glava družine je g. Park, lastnik mednarodnega računalniškega podjetja. Ki-woo tam spozna Yeon-kyo, prelepo mladenko. Kmalu po prvem srečanju se odnosi med družinama zapletejo, kar pripelje do niza nesrečnih pripetljajev.

Režiser temačnih miselnih izzivov Memento, Insomnia in Vitez teme se poglobi v najbolj srhljive dele človeškega uma, kamor s pomočjo futuristične tehnologije kuka pretkani Dom. Preko sanj vdira v misli drugih ljudi in krade dragocene podatke, zato postane najbolj iskan zločinec na planetu. Da bi zaživel normalno življenje, se odloči za zadnjo akcijo, kjer spominov ne namerava ukrasti, temveč želi namestiti nove in tako izvesti popoln zločin. Toda v nepredvidljivem svetu človeških misli ni pravil in omejitev, zato nepričakovani sovražnik nalogo spremeni v smrtonosno past, polno prevar in preobratov.

Fight Club ni le prispodoba o (samo)destruktivnem begu posameznika iz ujetosti potrošniškega nesmisla, temveč (tudi) parabola upora zoper nezmožnost poistovetenja s prvobitnim moškim/očetovskim principom — odraža se v sprevrženi percepciji psihosocialnih norm in nevrotični konfrontaciji ter boju (dobesedno "z golimi pestmi") s samim seboj. Dodajmo še patološke predstave o ljubezenski zvezi in vlogi ženske, metaforični upor maskuliniziranega segmenta potlačene moške dominantnosti, ki v ničemer ne najde prave identifikacije in opore, zato njegov dezorientirani razcepljeni um primanjkljaj kompenzira tako, da ustvarja namišljene alegorične osebnosti — ter izvrstno igralsko zasedbo (Edward Norton, Brad Pitt, Helena Bontham Carter) — pa dobimo enega najbolj izvirnih (in vplivnih) produktov ameriške literature in kinematografije zadnjih desetletij.

Dramski triler režiserja Todda Phillipsa spremlja legendarnega stripovskega zlikovca v izvirni samostojni zgodbi o izvoru, kakšne še nismo videli na velikih platnih. Mučna in tragična pripoved se vrti okrog umsko trpinčenega komika Arthurja Flecka, v fantastični predstavi Joaquina Phoenixa, ki si prizadeva, da bi se uveljavil v razdeljeni družbi velemesta Gotham, ki ga zapostavlja in odriva na socialni rob. Živi sam z duševno bolno materjo, podnevi dela kot najeti klovn za oglaševanje lokalov in si želi postati zvezda komičnih stand-up predstav, vendar so vse šale ponavadi le na njegov račun. Ujet v krogu životarjenja med apatijo in krutostjo Arthur sprejme slabo odločitev, ki povzroči verižno reakcijo nasilja in smrti. Bolečina ga naposled pahne v soočenje s svojim drugim jazom, poznejšim Batmanovim največjim sovražnikom: Jokerjem.

Zgodba spremlja ameriškega znanstvenika J. Roberta Oppenheimerja in njegovo vlogo pri razvoju atomske bombe. Znanstvenika Oppenheimerja je upodobil Cillian Murphy, njegovo ženo Katherine »Kitty« Oppenheimer, ki je biologinja in botaničarka, pa igralka Emily Blunt. Oskarjevec Matt Damon je upodobil generala Leslieja Grovesa ml., direktorja projekta Manhattan, igralec Robert Downey Jr. pa je ustanovni komisar ameriške komisije za jedrsko energijo Lewis Strauss.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

At a track near Rome, shoeshine boys are watching horses run. Two of the boys Pasquale, an orphan, and Giuseppe, his younger friend are riding. The pair have been saving to buy a horse of their own to ride...

Režiser George Miller, ki se je domislil post-apokaliptičnega žanra in je ustvaril legendarno franšizo Mad Max, nas v Pobesnelem Maxu: Cesta besa vrača v svet cestnega bojevnika Maxa Rockatanskyja.

Medtem ko se svet propada, je mlada Furiosa ugrabljena iz Zelenega Mesta Mnogih Mater in pade v roke velike motoristične horde, ki jo vodi vojskovodja Dementus. Na potovanju po poščavi naletijo na citadelo, ki ji predseduje Nesmrtni Joe. Medtem ko se dva tirana borita za prevlado, mora Furiosa preživeti številne preizkušnje in zbrati sredstva, da najde pot domov.

Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.

Aging small-time conman Augusto works with two younger men: Roberto, who desires to become the Italian Johnny Ray, and Bruno, nicknamed Picasso. Through a series of mishaps and personal entanglements, things go badly for Augusto.

In Italy, small-town newlyweds Wanda and Ivan Cavalli embark on their honeymoon in the big city of Rome. Ivan dutifully wants to keep appointments with family and church, but Wanda is only interested in meeting her favorite photo-strip star known as "The White Sheik". While Wanda impetuously sneaks away to locate the object of her affections, disconsolate Ivan tries his hardest to keep up appearances with the couple's relatives.

Fellini exposes his great attraction for the clowns and the world of the circus first recalling a childhood experience when the circus arrives nearby his home. Then he joins his crew and travel from Italy to Paris chasing the last greatest European clowns still live in these countries. He also meets Anita Ekberg trying to buy a panther in a circus.

Saga o Večnih, rasi nesmrtnih bitij, ki je živela na Zemlji in oblikovala njeno zgodovino ter civilizacije. Po dogodkih, ki smo jim bili priča v filmu Maščevalci: Konec Igre (2019) nepričakovana tragedija prisili Večne, starodavne nezemljane, da izstopije iz sence ter se ponovno združijo v boju proti najstarejšemu sovražniku človeštva - Deviantom.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

L'Amore ('Love') is a 1948 Italian drama anthology film that consists of two parts, The Human Voice (Una voce umana), based on Jean Cocteau's 1929 play of the same title, and The Miracle (Il miracolo), based on Ramón del Valle-Inclán's 1904 novel Flor de santidad.

Moussa has always been gentle, altruistic and present for his family. This is the opposite of his brother Ryad, a TV presenter of great notoriety who is reproached for his selfishness by his entourage. Only Moussa defends him, who has great admiration for his brother. One day Moussa falls and hits his head violently. He suffers a head injury. Unrecognizable, he now speaks without a filter and tells his relatives the truth. He ends up falling out with everyone except Ryad.

In an attempt at greater efficiency, the chef and waiter of a fancy oceanside restaurant wreak havoc in the establishment. Adding to the complications is the arrival of a robber.

Bob Muldoon and Ruth Guthrie, an impassioned young outlaw couple on an extended crime spree, are finally apprehended by lawmen after a shootout in the Texas hills. Although Ruth wounds a local officer, Bob takes the blame. But four years later, Bob escapes from prison and sets out to find Ruth and their daughter, born during his incarceration.

Sara and Nicola are married and in love. Their lives seem to be perfect: they have an angelic six-year-old daughter, thriving careers and a stable marriage. The birth of their second child, which disrupts the family balance, leads to tragicomic scenarios.