A lonely mother and her son go to the opera where a performance of Cherubini’s opera Medea is given. It is the mother’s birthday and she wanted to surprise her son by inviting him to the opera. But, the son’s plan were different and he is quite upset about it. His mother tries to break the silent barrier behind which he hides. A semblance of discussion begins, not without humour. Tension is present but, as the performance goes on, both find themselves astounded, captured, alone in the opera house.

Three macabre short stories about gambling, vengeance and homicide.

"Their land drought-stricken, three Nigerien farmers (and their donkey) travel to Holland to investigate the possibility of importing windmill technology for use on the plains of Niger. A follow-up to JAGUAR, PETIT À PETIT, and COCORICO MONSIEUR POULET! – undertaken with his longtime filmmaking partners Damouré Zika, Lam Ibrahima Dia, and Tallou Mouzourane – Rouch’s feature is a surreal tale of mythic proportions, full of antic humor and poetic digressions. But beyond the laughs and reveries, MADAME L’EAU is also a poignant commentary on the ‘poisoned gifts’ brought to West Africa by development projects. As Faye Ginsburg once remarked, this is a film about what the world would look like “if Jean Rouch was the president of the World Bank.”" - Anthology Film Archives

A young man talks to his psychiatrist about strange visions he has been having in his dreams.

A story of a modest ordinary crook trying his best to turn his boring life into an affordable extraordinary adventure.

Hamed is unemployed. Meanwhile, his wife and daughter immigrate to Europe for a better future. Missing his family, he imprisons himself and starts to revise his life in isolation.

By accident, more than anything else, the three find themselves beside the grave of Thomas Godwin. The grave was dug up by some miscreants for unknown reasons. The rather colorful history of Mr. Godwin makes Feluda curious to know more about the man.From the diary of Thomas' daughter Charlotte, Feluda finds that a very precious clock went to Thomas' grave with him. To his surprise, Feluda finds that another party knows about this clock and they are trying to get it aided by the letter with them. Thanks to the brilliance of the detective and the help of 'Haripodobabu', the chauffeur of Mr. Ganguli, a new introduction in this book, their plot is foiled.

On their way back from a wild party, Arine and Nobahar cause a car accident. A mysterious stranger by the name of Toofan offers to cover the costs. This won't be the last time they'll cross his path over the course of the night.

This spaghetti western presents a fictitious version of the often filmed legend of Pat Garrett and Billy the Kid. Billy becomes innocently an outlaw while protecting his mother, but then turns into a trigger happy killer. When he falls in love he tries with the help of Pat Garrett, a fatherly friend, to change back. However, circumstances force Billy to become violent again and it is Garrett who is credited with the killing.

Frequent comedy co-stars Fatty Arbuckle and Mabel Normand take viewers on a tour of the 1915 Panama-Pacific Exposition in San Francisco. Attractions shown include the U.S. Battleship "Oregon", the Australian convict ship "Success" (complete with such punishment devices as a flogging rack and a spiked Iron Maiden), the world's tallest flagpole (251 feet), the Court of Abundance, the Court of the Universe (with sunken garden) and the Tower of Jewels. Fatty and Mabel also visit Frisco's still-under-construction City Hall, accompanied by Frisco's then-Mayor James Rolph Jr. Also appearing in the film is opera star Ernestine Schumann-Heink.

A clumsy fiddler plays at an audition with a grouchy teathrical impresario, played by Oliver Hardy.

Sita Sinha has brought up her son, Bihari and his friend, Amar as her own. The three are very close to each other. When they grow up they maintain their friendship and love for each other. Amar marries wealthy Jaya, and Bihari marries a labourer. Amar's dad, Mr. Saxena does not like Bihari, and schemes to separate them. He succeeds, and Bihari is humiliated. Bihari blames Amar, and swears to bring about his downfall at all costs.

An indigenous uprising in British controlled Iraq threatens the route to India, as a lobe triangle develops among the expatriates.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

When two rival crews head into the desert to shoot a reality show based on a buried Navajo treasure, they discover that truth is not only stranger than fiction, it's more dangerous. Something wants them from digging deeper and from escaping the desert alive.