말조심해야 한다는 요즘 코미디의 세계. 하지만 눈치는커녕 역공을 가하는 코미디언도 있으니, 그가 바로 데이브 샤펠. 유명인의 스캔들, 총기사고, 이름하여 알파벳(?) 커뮤니티까지. 툭툭 던지는 고수의 직격탄, 수비할 틈이 없을지니.

외롭게 살고 있는 노년의 의사에게 이웃집의 도로타가 찾아온다. 도로타는 현재 병원에서 투병 중인 자신의 남편이 살아날 가능성이 얼마나 되는지 물어본다. 신중한 의사가 확답을 주저하자 도로타는 자신의 사연을 솔직히 털어놓는다.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

파올로는 원치 않지만 현실 때문에 백화점에서 판매원을 한다. 반면 미아는 하고 싶은 일만 하고 되는대로 살아가는 밴드 싱어이다. 아이를 원치 않는 여자와 아버지가 되고 싶어 하는 게이 남자의 만남이다. 임신 6개월 된 노숙자 미아와 파올로는 아이의 아빠를 찾기 위해 토리노를 떠나 로마, 나폴리, 레지오 칼라브리아로 떠난다. 아버지가 된다는 것과 미래를 생각하게 만드는 감성적인 로드 무비이다. ‘처음으로 내 미래를 볼 수 있게 되었어’ 게이라 아버지가 될 수 없다는 생각을 한 파올로가 자신에게 한 말이다. 심미적인 배경음악과 젠더 이슈에 대한 관심을 던진 영화이다.

Nadine is a French young woman. Fausto is an Italian young man trying to make it in Paris as a restaurant waiter. They accidentally meet at a five-star hotel. Both are fragile, alone and obsessed with the idea of an unattainable happiness. Their intense love is challenged by their own individual ambition and desperation.

무솔리니에게 첫눈에 반한 이다는 그가 발간하는 사회주의 일간지 ‘라반티’를 적극 지원한다. 우파로 돌변한 그가 파시스트당의 전신 ‘포폴로 디탈리아’를 창설하는데 전 재산을 쏟아 붓지만 자신이 낳은 아들이 인정받지 못하게 되면서 투쟁이 시작된다. 무솔리니의 내연관계를 처음 스크린에 담아 칸에서 화제가 됐던 거장 마르코 벨로키오의 신작.

An aspiring actor discovers that his spacious new apartment comes complete with eight friendly ghosts.

The life of a working-class boy in Rome through the '70s and '80s, choosing his own path with his friends and family.

A blocked screenwriter, Ezio, is trying to finish a story about two off-kilter families thrown together when their teenage children announce they’re getting married. So Ezio writes himself into the story with a romantic part—a development his characters welcome, as they’ve got some ideas of their own for bigger and better roles.

Hoping to catch a burglar, a cop (Cameron Mathison) goes under cover as a nanny in an upscale community. As he looks for leads, he becomes involved with a high-maintenance family and a pretty caregiver (Sarah Lancaster) nearby.

Back from the hospital where he has been treated after a heart attack, Lorenzo is on his way upstairs to his top-floor apartment in Naples when he meets Michela. The charming young woman, who has just moved to the facing apartment, has forgotten her keys and finds herself locked out. Cynical and grumpy, the retired lawyer who has been living estranged from the rest of the world, should normally leave her to her fate but he mellows under her spontaneous charm. He helps her, becomes friends not only with her but with her husband Fabio and their two children. For once, the self-declared misanthropist seems to be experiencing the long forgotten feeling of empathy.

Frustrated with their lack of upward mobility, some young Italians move to Cuba to start a wi-fi café and attempt to build a new life.

When his girlfriend Giorgia leaves him for his boss, journalist Giulio suddenly finds himself without a woman and with no job. Determined to win back his ex, he attends Valeria's classes, who teaches single men the art of seduction, convinced that relationships between people are motivated by simple biological stimuli.

Seven days before his wedding, a man must contend with a series of never-ending disasters.

Ernesto and Filippo, two high school teachers, couldn’t be more different: Filippo is a cheerful liberal who is constantly online. Handsome and youthful, he is a serial seducer on the social networks. Ernesto, instead is a stern conservative, rigorously computerless. He is probably the last person around who still has a first-generation cell phone and his teaching methods are very traditional. They used to be best friends but an unresolved fight kept them far apart, until the day fate intervened and they found themselves teaching at the same school. Their opposite viewpoints will soon and inevitably lead to a new clash. The internet will force them to deal with their past, which resurfaces in the shape of Nina, a young woman who conducts an experiment on them: Filippo must try to leave the world of Internet and Ernesto must try to enter it.

To avoid jail, a tax-dodging businessman is sentenced to a year of community service in a homeless shelter.

Living among boys is easy, each of them with their own mess, unregimented lifestyle, and unique "method of study." The male universe in which they live, however, is about to be invaded by women. Giorgia is independent and receives little attention from her parents; Francesca is in a doomed relationship with an older professor, while Emma wants to be a famous performer. In this new mixed arrangement house, each character finds their place as they establish a confusing, but fun and tumultuous extended family - a family which none of them has ever truly had.

Francesco, Carlo, Loco e Giordano, lifelong friends, depart from Rome towards Madrid to celebrate the bachelor party of Francesco but above all to make, as happened on other occasions, a trip together. In fact, the trip is also an excuse to go see their favorite team away in the Champions League. In their path intersect to Pilar, a beautiful Spanish singer who, unknowingly, brings havoc within a close-knit group favoring, including unexpected, laughter and comical situations, even the come to diversity afloat, insecurities and never those words. On their return, nothing will be as before.

A ne'er-do-well who's married to a millionnaire realizes his financial trouble might be solved if his wife was dead - and sets out a plot to achieve just that. A remake of Dino Risi's "il vedovo".