Aging painter Louis and his wife Michelle struggle to cope with Louis' advancing dementia.

Pil-ju, an Alzheimer's patient in his 80s, who lost all his family during the Japanese colonial era, and devotes his lifelong revenge before his memories disappear, and a young man in his 20s who helps him.

Ένας περιοδεύοντας θίασος καταφτάνει σε ένα μικρό λιμάνι στα νότια της Ιαπωνίας. Ο γηραιός επικεφαλής τους, ο Κοματζούρο Αράσι, πηγαίνει να συναντήσει τον παλιό του έρωτα, την Ογιόσι, αλλά μαζί και τον γιο του, Κιγιόσι, ο οποίος πιστεύει ότι ο Αράσι είναι απλά ένας θείος του. Η πρώτη ηθοποιός του θιάσου, η Σουμίκο, ζηλεύει από την επίσκεψη αυτή και για να τον εκδικηθεί, πείθει τη νεαρή ηθοποιό Κάγιο να ξελογιάσει τον Κιγιόσι.

Σε μια μικρή πόλη στην κατεχόμενη από τους Ναζί Σλοβακία κατά τη διάρκεια του Β' Παγκοσμίου Πολέμου, ο αξιοπρεπής αλλά συνεσταλμένος ξυλουργός Tono ονομάζεται "Άρειος ελεγκτής" ενός καταστήματος κουμπιών που ανήκει σε μια ηλικιωμένη Εβραία χήρα, τη Rozalie. Δεδομένου ότι η θέση έρχεται με μισθό και θέση στην διεφθαρμένη ιεραρχία της πόλης, ο Tono παλεύει με τις ενοχές του καθώς αυτός και η Rozalie γίνονται σταδιακά φίλοι μεταξύ τους. Όταν οι αρχές διατάζουν να εκδιωχθούν από την όλοι οι Εβραίοι της πόλης, ο Τόνο αντιμετωπίζει ένα ηθικό δίλημμα που δεν μοιάζει με κανένα άλλο που γνώριζε πριν. Η ταινία κέρδισε το 1965, Όσκαρ Καλύτερης Ξενόγλωσσης Ταινίας, από την Αμερικανική Ακαδημία

A young alcoholic ambient musician locks himself in his apartment on a dangerous seven day bender as he attempts to finish his upcoming album.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

Στη δουλειά της, είναι διάσημη δολοφόνος. Στο σπίτι, είναι η ανύπαντρη μητέρα μιας έφηβης κόρης. Είναι εύκολο να σκοτώνεις. Το δύσκολο είναι να είσαι γονιός.

Tom, 16, is a sensitive teenager who is about to enter a new high school after being expelled. He intends to find his place, make friends and seduce the girl he loves. Tom needs the support of his older brother, Leo, a true mentor, who is working to make him a “cool kid”. However, Leo's fraternal benevolence hides a destructive temperament... Will Tom be able to grow up finding his own path?

When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.

A young man tries to make things right again in his relationship after he and his girlfriend get in a fight.

Garan is a part of a group of international hitmen who are contracted to take out the most dangerous killer in the world, only to find out that they're the ones being hunted.

Cameron Duncan wrote, directed and starred in this short film, the same year a lump in his knee turned out to be cancerous. Aged only 16, Duncan had already showcased his filmmaking talents on a series of award-winning short pieces made for Fair Go's annual programme devoted to commercials. With DFK6498, he channels his recent experiences into a short, stylishly-shot memoir of incarceration, frustration and freedom lost. The film went on to win a trio of awards at Wanganui's River City Film Festival and win praise from director Peter Jackson.

Σε μια απομονωμένη φάρμα, ένας ηλικιωμένος άνδρας ζει τις τελευταίες ημέρες της ζωής του, με την σύζυγό του να προσπαθεί να αντιμετωπίσει το θρήνο. Για να τη βοηθήσουν, έρχονται τα δύο παιδιά της, η Louise και ο Michael όμως η γυναίκα που βρίσκουν δεν είναι αυτή που περίμεναν, αφού κάτι πραγματικά απόκοσμο μοιάζει να στοιχειώνει τη μητέρα τους και δεν είναι το πένθος. Όσο παραμένουν στη φάρμα, τα ίδια "συμπτώματα" αρχίζουν να εμφανίζουν και οι ίδιοι και είναι πια σίγουρο πως κάτι διαβολικό έχει βάλει στο στόχο την οικογένειά τους.

After getting a car ride from an unknown man, Lisa wakes up in a tube. On her arm is strapped a bracelet with a countdown. She quickly understands that every 8 minutes, fire burns an occupied section. She has no choice but to crawl into safe sections to survive. To know why she’s there and how to get out, Lisa will have to face the memories of her dead daughter…

Pauline has her own way of doing road safety: as a trainer in a point recovery center during the day, she becomes a serial killer of drivers at night.

Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

One by one, with a sweet but inexorable rate, Ugo's colleagues, go to a better life. When Ugo is attending at one of the innumerable funerals, he and the priest remain involved in an accident. The doctor says that Ugo as only one week left to live

Something Like Summer traces the tumultuous relationship of Ben and Tim, secret high school sweethearts who grow over the years into both adulthood enemies and complicated friends.

It takes him suddenly at 40 years: Frédéric wants a baby, Claire never wanted one and they agreed on that. He commits the unforgivable and makes a child behind her back. Claire turns into a whale and Frédéric becomes a doting father.