Armed with venomous spines, invisible to its prey, a pack hunter who terrorizes other fishes - watch the stunning adventures of lionfish. Get to know the fish's prowess to dominate the oceans, to the extent that its invasion endangers local marine life!
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.
Released from the orphanage at the age of thirty, a man dreams of finding his mother.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
Sherif (Mohammed Najm) wants to marry Amani (Laila Alawi), but her father Gad Al-Haq Metwally Owais (Hassan Abdeen) requires that her sister Tahani (Mimi Gamal) to marry first because she is older. Amani agrees with Sharif to deny and act as someone coming to her sister's speech. Can they complete their marriage, will the plan succeed?
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
The name Gucci is synonymous with glamour, but in 1995 the fashion world is shocked when the one-time heir to the family dynasty is gunned down. A two-year investigation reveals a family at each other’s throats and a murder plot made for Hollywood.
What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.
The Stievenart family decides to spend their vacation far away and puts an ad on the internet. The Mailon family responds by offering to exchange homes. But the Stievenart family has an environmentally friendly house, while the Mailons consume a lot of energy.
Michel, a retired math teacher, has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings.
Easygoing Gianni looks forward to retirement - until he is informed that a change in the law obliges him to work three more years. Faced with the outrageous possibility of having to do a full day's work, he sets about finding a way to achieve a quiet life
The relationship between António and Ruth ends unexpectedly when Ruth decides to live with Pedro, António's best friend. António doesn't fight back and lets himself drown. From the woods come Violeta and Gaspar, two strange beings, a mixture of fairies, demons and guardian angels, who help António overcome his depression. With the thunders the two characters return to their domains. And life goes on.
Forty Boys and a Song is a 1941 short documentary film directed by Irving Allen. The film is about the Robert Mitchell Boy Choir, consisting entirely of boys aged 8 to 14. The choir, run by organist Robert Mitchell, appeared in Hollywood productions for over thirty years. Accordingly, the boys were recruited to go to a special school where they would go through regular classroom instruction until 1 PM, after which they'd do choir practice. The kids are also shown performing in a church on Sunday as well as camping, as they are all part of the same Boy Scouts troop. The film was nominated for an Oscar for Best Short Subject, One-Reel.