Irish Tour '74 is a film which captures the artist, his music, the period and the place with perfection. Filmed in January 1974 at Belfast Ulster Hall, Dublin Carlton Cinema and Cork City Hall.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

Groot investigates a spooky noise that’s been haunting the Quadrant, which leads to an intense dance off.

Barbie esittää taas Merliahia, surffaavaa sankaria, joka on myös merenneitoprinsessa. Tässä meriseikkailussa hän oppii, että mikä tahansa on mahdollista, jos on oma itsensä. Barbie esittää taas Merliahia, surffaavaa sankaria, joka on myös merenneitoprinsessa. Tässä meriseikkailussa hän oppii, että mikä tahansa on mahdollista, jos on oma itsensä.

Sean ja Lisa Millerin elämässä on ollut muutama rankka kuukausi keskenmenon ja työttömyyden takia. Mutta sitten parin asiat alkavat sujua. Sean saa unelmatyön mainostoimistosta. Mutta Seanin assistentti Jen, jota Sean kutsuu ”työvaimokseen”, alkaa osoittaa tunteita häntä kohtaan. Pian selviää, että Jen on valmis äärimmäisiin keinoihin: hän haluaa rikkoa Seanin avioliiton ja vaatii tätä itselleen.

Shota Kadomatsu, a first-year high school student who transferred to a private Takehana Boys' High School surrounded by four girls' high schools just because he wanted to have a girlfriend. However, the class he entered was a group of problem children, Class 1 G, who were isolated from the school building and feared by the teachers. Shota is surprised by the dilapidated classroom and his classmates with strong quirks, but he spends his days happily in love and friendship. However, the evil organization Tennokai, which was supposed to have been crushed by the urban legend of the delinquent group G-Men after a deadly battle, was closing in on them.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.

A short film made by Yuri Norstein for the 60th anniversary of the October Revolution, The 25th - the First Day recounts that day using art from the revolutionary period.

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

Set in the 1800s, the film is about a "dacoit" tribe who take charge in fight for their rights and independence against the British.

Free-lance undercover agent Coplan receives a phone call from an old girlfriend in Turkey. The panic-stricken woman gives sketchy details of a plot that threatens world security. When Coplan arrives, he is told the woman has been killed, and the trail of the murderer leads to her mad-scientist brother.

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

Did the Nazis ever see Charlie Chaplin's 'The Great Dictator'? Yugoslavia, 1942 - The young Serbian projectionist Nikola Radosevic decides to teach the German oppressors a lesson they won't forget. The beginning of a true and astonishing World War II resistance story.