David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
The Noharas must survive a hoard of man-eating killer cacti after Shin-chan's father relocates the family to Mexico for work.
Concerned parents hire a private detective to tail their son because they think he might be gay.
Moe, a fun-loving theater artist working on a one woman show, finds out that he is dying from an AIDS related illness. Naturally, his response is to invite his closest friends over for a “going away for good” party as one last big celebration of his life. His plans go awry when his best friend, and his ex, decide to crash the party, despite 15 years without communication between them. Alternating between the painful reality of his current situation and scenes featuring his alter ego, a torch-singing drag queen who wants to take him for “the ride of his life,” MOE is an often light-hearted film that also packs a serious emotional punch.
US adaption of a classic UK documentary series called "Up". Part 1, made in 1991, followed a group of economically, racially and socially diverse 7-year-olds growing up in the early 90s America. They are now 14.
Sous un ciel changeant. Jean-Claude Rousseau uses his signature black frames to create Durasian elisions between painterly, Corot-conjuring tableaux.
A centuries-lasting relationship between Ayesha and her oft-reincarnated true love. She, H. Rider Haggard's fanciful novel about the immortal queen of a lost tribe, has been filmed at least 10 times, with seven versions emerging between the years 1910 and 1930.
Original 1973 short promotional documentary on the making of the 8th James Bond movie Live and Let Die (1973).
Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.
Saddam Hussein's regime left many homes broken, families dead, and orphans left with no hopes for a good future. Homelessness in Iraqi-Kurdistan has risen, despite the implementation of orphanages. There is more that needs to be done. Ruwayda Mustafah, a political activist, returns to her homeland with ideas for improvement.
A cowboy goes undercover to catch the cattle thieves who killed his father.
An undercover agent uses his rare personality disorder in pursuing the drug-cartel leader responsible for the deaths of his wife and kids.
Min, a hard-boiled proprietress of a waterfront hotel, who has as her sweetheart Bill, a fisherman, brings up Nancy, a girl who was deserted by her own mother in infancy. However the Local authorities are trying to persuade Min that she is not a fit mother and that Nancy should be sent to school.
On the Guajira peninsula in northern Columbia the old traditions of the indigenous Wayuu still hold sway. As soon as they begin menstruating, young women have to go and spend a year in a simple hut where only a few women are allowed to visit them. Contact with men is taboo. The grandmother is chiefly responsible for preparing the girl for her role as a woman during this period of seclusion. Pili is 12 years old when, for her grandmother's sake, she decides to follow this custom. But does she really know what she is taking on?
Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".
Documentary about the making of "Intruder".