Emma's plans get thrown off course when Paolo returns to Italy to take care of his father and she discovers a new passion for making art accessible to all.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

A strange meteor lands in Japan and unleashes hundreds of insect-like "Legion" creatures bent on colonizing the Earth. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary. However the battle may result in Gamera losing his bond with both Asagi and humanity.

Co se týče dějové zápletky, jedno z Antonioniho nejatraktivnějších děl. Přitom dramatičnost příběhu nejde na úkor režisérových tradičních filozoficko-existenciálních přesahů, z nichž je tentokrát vyzdvižena myšlenka sociální podmíněnosti lidského konání a existence. Novinář David si uvědomuje „jepičí osud“ svého pracovního úsilí i neutěšenost soukromého života. Záhy po výměně pasů zjišťuje, že se ocitá ve vleku nebezpečných událostí odvíjejících se od jeho nové totožnosti prodejce zbraní. Opojení z příslibu náhle nabyté svobody střídá prohlubující se frustrace. Téměř bez použití subjektivních pohledů nám kamera přináší obrazové „zpravodajství“ o Davidově útěku před vlastní minulostí a vypůjčenou přítomností.

The story of two men, both named Antonio Pisapia, who are on the decline and lead strangely parallel lives. One is a pop singer whose success ends after a sex scandal; the other is a football player whose career is cut short by an injury.

Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.

Celý děj filmu se odehrává ve svérázném městečku uprostřed obří skládky, kde má mentálně retardovaný chlapec Roku-chan vybudovánu svou virtuální železnici, o níž se stará s naprostou oddaností a profesionalitou.

A portrait of those trying to survive in the war-torn Middle East.

When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

Celovečerný debut režiséra Martiny Scorseseho rozpráva o konzervatívnej morálce ve strategii s moderným světem. J.R. je mladý Italoameričan, neveľmi vzdělání, zato však bystrý. Žije v uzatvorenej komunitě "Malého Talianska" v New Yorku a kontrole volného času zabíja poflakovaním spolu s kamarády z místního gangu. Jedného dne na trajektu spoznává dívku, která pochází z odlišného světa. Študuje na vysoké škole, zajímá se o literaturu, žije sama ve vlastním bajtu. Ačkoli zázemie a výchova týchto dvoch mladých lidí jsou si, jejich sympatie postupně prerastou do lásky. Když se však J.R. dozví, že jeho přítelkyně už není panna, nedokáže se s týmem vyrovnat a ukončit vztah. Nepomôžu ani vyznania lásky a vysvetlenie, že v minulosti byla znásilnená. J.R., vychovávaný podle zásad přísné katolické morálky a vedený k úctě vůči ideálu ženy-matky a ženy-panny, se vlivem vlastního citátu nedokáže ovlivnit předsudkov.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in taboo trysts and a tangled love triangle.

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South - trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.