In the year 1948 while travelling in east Iceland painter Jóhannes Kjarval camps on a plot of land in Hjaltastaðaþinghá which he falls in love with and where he decides to build himself a cabin.
A photographer uses a new project to lure talent and unsuspecting strangers in to fulfill her darkest fantasies.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
The legendary Oleg Nikolaevitch Karavaichuk is the mysterious and moving subject of this loving film by the young director Duque. He was moved by the music the pianist composed for a film by Kira Muratova and is the first foreigner to win the trust of the eccentric and still active 89-year-old Russian.
Daffy Duck takes shelter from a blizzard by sneaking into a cozy home owned by Porky Pig. Daffy tries to secretly mooch off of Porky for an entire winter, but Porky's dog realizes that Daffy isn't the stuffed ornament he pretends to be and keeps trying to alert Porky to Daffy's ruse.
A theatrical release of The Return of Ultraman episodes 13-14. It was released on December 12, 1971 as part of the Toho Champion Festival along with Godzilla, Mothra, King Ghidorah: Earth's Greatest Battle ( edited from Ghidorah, the Three-Headed Monster and shorter versions of The Adventures of Hutch the Honeybee, and The Little Match Girl.
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
Three stories of young disillusioned Poles of different background and region of origin. What binds them together is that they all meet on the bus to London shortly after Poland's entry into EU.
The clacking of heels on the floor, to the rhythm of a measured walk, accompanies the movement of a camera that scrutinises a man in close up. Slowly, the camera turns around him, from his feet on the floor to the top of his head. The man doesn't move a muscle, with his arms lying straight by his side, as though he has become an object under a woman's eye, identifiable by the sound of her footsteps. The closeness of the camera fragments and fetishises the body. There are no wide shots at any point that might enable the man to be identified. The fragments glimpsed by the camera do not provide any identifying markers, rendering the overall view disproportionate. Like a "monument", the figure is presented to the audience.
Kurt Longson tries to avenge his daughters death. To succeed he has to battle with his conscience and morality to realize true love.
In einem Münchner Stadtteil herrschen die 'Revengers', eine gewalttätige Rockergang, die, als eine Bäckerei von einem Türken übernommen wird, ihr Revier bedroht sieht. Es kommt zu ersten Machkämpfen mit der türkischen Gang 'Kenli Kartal' (Blutige Adler). Daniela, die von den 'Revengers' nur zum Schmierestehen und für eine schnelle Nummer auf dem Autorücksitz ausgenutzt wird, freundet sich mit dem jungen Türken Dogan an. Der Konflikt eskaliert, immer brutaler werden die Auseinandersetzungen, bis er schließlich seinen schrecklichen Preis fordert.
Antonio Torres, a serious singer of Spanish popular music, and Bárbara, a vivacious yé-yé singer, face off in a chaotic contest promoted by Rodolfo Sicilia, an overworked publicist.
Blessed is the eleventh album in the live praise and worship series of Christian Contemporary music by Hillsong Church. It was recorded live at the Sydney Entertainment Centre on 3 March 2002 by Darlene Zschech and the Hillsong Worship Team. Blessed saw Marty Sampson step up to lead worship alongside Darlene Zschech and Reuben Morgan for the night. Over 10,000 people from Hillsong Church attended the recording.
A young woman loses her umbrella in a café altering her perception of the world forever.