Deciding whether to have a child is an emotionally fraught and deeply personal process. Deciding amid increasingly dire warnings about the climate makes it even more paralyzing. The Climate Baby Dilemma is a documentary charting the growing number of young people either refusing to bring a child into an increasingly unstable world or struggling with the ethics of whether they should or not. As the conversation about intimacy and climate change heats up, we meet activists, journalists, parents and prospective parents, ethicists and scientists to unpack this growing trend.
Hurmuz is a beautiful woman, her husband Ömer is in prison and she's in love with him. She thinks that her husband is very loyal to her, but one day, when she goes to visit him, she learns that she has six other wives besides herself, and she can't get over this and wants to take revenge. Hızır Reis, Guard Hasan, Tulumbacı Hayri, Hallaç Rüstem and Berber Hasan. Hurmuz marries all of them in turn and kidnaps them all on their wedding night. But still, Hurmuz's heart is with the doctor.
《Ghiblies episode2》（ギブリーズ episode2）为日本吉卜力工作室制作的动画短片《Ghiblies》的续作， 在日本于2002年和吉卜力电影动画《猫的报恩》一同在剧院上映。 作品内容风格与前作《Ghiblies》相同，同样以角色野中君为主角，描述他在Ghibli工作室里遭遇的各种趣事。故事大体可分4段，均围绕野中君展开，1是吃咖喱，2是跳舞，3是地铁，4是初恋。
India's capital Delhi is the center-point of this story, depicted as a degenerate and corrupt city with Members of Parliament with big criminal rap sheets, ruling the roost, transferring or killing honest police officers, promotion their own corrupt cops, openly collecting weekly bribes (haftas) from local businesses, pimps, prostitutes ET AL, even openly holding an auction for bidders to bid for areas for black-marketing purposes. Lala Khurana is the uncrowned king of Delhi and he runs it with the help of a Member of Parliament, & the Director General of Police. His advocate Chintamani Chaubey wants him to contest the next elections, ensuring his win, and making his own laws, appointing his own police officers, who will do his bidding, carrying on without any checks and balance. Khurana likes this idea, but feels he is getting too old, but would like his son, Devendra Kumar, to run and be the next State Chief Minister.
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?
Communism seen through the eyes of a young girl who watches her beloved uncle struggle with the oppressive government .
本片为岳枫与程刚联合导演，拍於1968年。故事描述，怪侠江丹枫（黄宗迅）从小父母兄弟都被土匪杀害，遂誓必杀尽此等败类。一次，江杀土匪沙如虎（魏平澳），沙临终时哀求江将遗物交予其妹秀秀（舒佩佩），江允之；秀得知兄之死讯，不胜悲伤，又知兄为江所杀，愤然拔刀将江砍伤，但她又后悔伤江，因其兄罪应该死，遂留江在家养伤。山寨盗首黄大霸（井淼）得悉江在沙家庄，派人杀江，却为江所败，江更在歹徒脸上用剑划十字。黄大怒，欲派人洗劫沙家庄，村长（沈涝）怕事，送黄三千两银子，但强盗依然来袭，江奋勇抵御强盗……
A man is wrongfully convicted for murder and begins to search for a way to escape his hellish prison.
故事发生在新青年私人摄影机构一群爱玩爱闹的年轻人中间，老实到近乎死心眼的后期员工魏查理（杨博饰）一直暗恋美丽大方的化妆师Fiona（侯雨桐饰），直到新来的海归摄影师曹彼得（吴明轩饰）亦向fiona公然示好，终于开始上演了一场啼笑皆非的办公室夺爱大战。 可Fiona似乎对二人狂热的追求都并不动容，她有自己不可言说的感情，这是一个秘密，只有她的密友，化妆助理蕾蕾（车玉璐饰）知道个中详情
An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.
A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.
The story of Cleopatra, the fabulous queen of Egypt, and the epic romances between her and the greatest men of Rome, Julius Caesar and Antony. Only a small fragment of this film survives.
欧阳震华的另一部激情戏作品《二奶村之杀夫》（又名《路边的野花不要采》）用了大部份的时间来铺陈剧情，真正意义上的激情戏集中于一场，由欧阳震华与饰演他情妇的女演员共同完成，该场戏女演员有较为大胆的裸露，但欧阳震华并不是一个“以色夺人”的演员，所以他没有选择直白的裸露，而是以眼神及动作去演出那种激情的感觉。欧阳震华在此片中的角色也与他日后的招牌戏路背道而驰，演的是一个在老婆与情人间一脚踏两船最后被精神崩溃的妻子所杀的“烂仔”角色。
Larva for a long time, sublimago for a few hours and imagoto breed, not equipped to eat, this short-lived being is reminiscent of the legacy of the fireflies expressed by Pier Paolo Pasolini. Referring to Philippe Jaccottet, Yuki Kawamura juxtaposes time and movement without dreading the motionless moment.