Living with Giants delves into the imaginative world of Paulusie Kasudluak, a young Inuk facing responsibilities as he transitions into adulthood. The film portrays his thoughts, his dreams, and his beliefs, and allows for an intimate immersion into his life. Paulusie is a caring son to his ailing father and a good boyfriend. But what begins as the story of an innocent teenager quickly becomes the struggle of a young man coping with the guilt of having made a huge mistake. Tragically, Paulusie takes the most dramatic decision and takes his own life. Living with Giants remains a poetic journey of resilience that echoes issues that are far greater than Paulusie's personal story.

Lucien Hastier, known as "Lulu", is a locksmith in La Courneuve and a communist activist. He had never known his parents and had been raised by the public assistance, a notary comes to announce that his father died and left him an extraordinary inheritance: a castle, a title of duke and a royal filiation. But problems arise, the deceased duke has left heavy debts and suitors to the title.

Vera, the Mom, is stressed out of her mind and she decides to take a vacation away from her family, so Victor, the dad, has to take time off work to take care of the family.

Various stories intertwine within the walls of a popular Parisian brothel on the eve of the First World War.

Several figures move through the darkness on a cliff-edge. An inaudible conversation near the brow of the cliff may be the cause for the group to disband. The rest of the film follows the solitary journey of the youngest member of the group, until she rests; where land meets the sea.

When Jen's son disappears during a game of hide-and-seek she unwittingly embarks on a journey through time to find him.

The boss of the Hung Hing gang, Tian Sang, has died. Ho Nam and Hon Bun find Sangs younger brother, Yang to lead the gang. Meanwhile, Hon Bun receives news that his younger brother, a leader of the Tuen Mun gang has been assasinated. They travel to Hong Kong to settle the matter.

Natty Bumppo, known as Hawk-Eye, is a frontiersman in the American wilderness. Together with his Indian friends Chingachgook and Uncas, he fights battles against nefarious white soldiers as well as the vicious Indian Magua and his cohorts.

A vampire named Bathor turned an entire village to vampires, stuck around long enough to teach them to survive, and then promised to return in 2000 years after conquering the rest of the continent. The only problem with this plan is that the vampires, although immortal, have only a limited capacity for memory. As time passes, they forget their utopian society and led by the totalitarian zealot Grando, become paranoid, superstitious fundamentalists, splitting their society by race and gender lines, seeking to destroy those who are deemed sinful. Long-forgotten lovers Élisabeth and Fantine find that, with the help of those who were banished in the past, it is their fate to piece together the past and help preserve the little that remains before Bathor’s impending return.

In the middle of Atacama Desert, vestiges of the last nitrate industry are​ ​found, while the residents witness the crash of an industry located in the driest​ ​place on Earth.

Georges Hatot and Gaston Bretaeau with Henri Vallouy, a Gaumont employee, acting as cinematographer. Breteau himself seems to have taken the main role in most of the films and here plays the woman in drag who is terrorized by the X-ray camera at a customs checkpoint while trying to smuggle contraband through.

The story of how police repeatedly allowed a serial murderer to slip through their fingers. Stephen Port date-raped and murdered four young gay men in East London within fifteen months and dumped all four bodies within a few hundred metres of each other. The film tells the story through eyes of the families of Port's victims, unpicking how the police failed to properly investigate each of the deaths in turn. The police's assumptions that these young gay men had died from self-inflicted overdoses of chem-sex drugs allowed Port to continue raping and killing innocent young men.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

"Jornada" is a visual time line of one spot somewhere in the American southwest. Natural and human-made cycles of birth and death are played out amidst a desert landscape.

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.