A teenage girl faces her obstacle in her love for a talented boy.
비컨 힐스에 사악한 고대의 악령이 나타나자, 늑대들이 다시 모여 울부짖는다. 이제 십 대에서 벗어난 우두머리 늑대 스콧 매콜은 강력하고 위험한 적과 싸우기 위해 새로운 동료들을 모으고, 옛 친구들과 뭉친다.
1. 오늘의 초능력 하루에 한 번 초능력을 쓸 수 있다고 주장하는 사람들이 모였다! 근데 왜 갑자기 초능력을 못 쓰게 된 것일까? 아니, 애초에 이들이 초능력자가 맞긴 한 걸까? 2. 1+1 "삑 - 원 플러스 원 입니다." 어느 날, 나와 똑같은 분신이 나타나 버렸다! 3. 장아치청 "꺼어억~" 트림이 시작되면 못 할 게 없다. 60분 한정 초능력자들의 본격 초능력 남발 코미디 액션 무비 4. LOVE SICK 좀비 사태 종식 1년 후… 승범은 자신을 구해준 여자친구 지윤에게 잊지 못할 프러포즈를 준비한다.
이 신기한 세상은 뭐야? 나보다 훨씬 작은 애들이 사네. 거대한 베이비 그루트 님! 여기선 내가 영웅이래.
Lu has a perfect life. Or so she pretends to have. She meets the handsome, short-tempered Argentinian, Diego, who is on a visit to Mexico, and she is confident to get him head over heels in love with her. In order to win a wager with her friends, her life will take a turn when she does the impossible to win him over, including taking a trip to Argentina to look for him.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Polish animator Anna Błaszczyk’s humorous short—a collage of drawing, cut-out, and computer animation—was inspired by Stanisław Lem’s 1961 novel Return from the Stars, a time-paradox tale of an astronaut who returns to Earth after many years away.
A horde of giant hungry alligators is unleashed on a group of in-transit prisoners and their guards after a massive hurricane floods Louisiana.
A single man has worked most of his life in a supermarket. One night, he unexpectedly meets with his father, and the two are faced with the question of the reasons for their separation.
물을 찾아 타이탄 행성으로 간 지구인들이 타이탄 반군의 공격을 받는다. 물을 지키려는 자와 확보하려는 자. 과연 승자는 누가 될 것 인가?
As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.
After participating in a séance, young Laura begins to behave strangely. Alarmed, her parents ask Father Olmedo, one of the few exorcists authorized by the Vatican to intervene in cases of demonic possession, for help.
쓰레기로 인한 지구의 환경 오염에 대해 생각할 거리를 주는 교훈적인 내용의 애니메이션
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
Toni, a grumpy in his fifties, avoids children at all costs. His life changes when he suddenly has to take care of his sister's five adopted children, each from a different country. Toni will have to deal with new parenthood and cultural differences.
지질학자 케이트를 인질로 잡은 테러리스트들이 지각을 변동시킬 수 있는 헬스톰을 작동시킨다. 세계 곳곳에서 대지진과 폭풍이 발생하고 파리, 런던, 베이징, LA등 대도시가 초토화된다. 케이트는 재난을 멈추려 지질을 측정하고 국방부에 핵무기를 사용할 것을 요청하지만, 최후의 지각변동이 시작되는데…
요트로 아름다운 바다를 여행 중인 나오미. 암초로 둘러싸인 무인도를 순회하던 그녀는 침몰하는 배를 도우라는 조난신고를 받는다. 다행히 세 명의 생존자를 구출하지만, 그들은 코카인 200킬로그램을 운반하던 마약 밀매범이었고, 바다 속 코카인을 가져오기 위해 상어들이 우글거리는 바다 속으로 들어갈 것을 나오미에게 강요하는데...
Gürkan and Altan have fallen into the hands of Cevat Bakır. Cevat Bakır, who killed Şahin for betraying him in the first film, spares the lives of Şahin’s accomplices, Altan and Gürkan, on the condition that they dispose of Şahin’s body. However, the two buddies mess up this task as well, bringing countless troubles upon themselves, just like in the first film, and manage to get the country’s most psychopathic men on their trail.