I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.
When Galang tries to forget her fiance, fate brings him to Laras, a sweet girl who melts his heart. Unfortunately, Galang's temperament distanced himself from Laras. Not intentionally, Galang successfully beat up Lara's father who he suspected a criminal. Lara's father also had to be hospitalized because of good intentions of Galang who spread peanut butter. Galang and Lara's love increasingly complicated by the presence of a new boarding house residents, Donny. Youth calm but this cunning, guile have a million in his brain to get the heart Laras. Strategy struggle of "muscle" versus "brain" between Galang and Donny grab attention of Laras who was unavoidable. Discos and aided by a motivator psychiatric first-class, Galang trying to control his emotions in order to win the battle against Donny
Documentary recounting the life story of Louise Brooks in 5 sections: "Lulu in Toe Shoes"; "Lulu in Hollywood"; "Lulu in Berlin"; "Lulu in Hell"; and "Resurrection".
Guilt-tripped by her parents, a quirky young woman agrees to get married, but her search for love gets complicated when her guy friends try to help.
In Sunray, a backwater town on Australia's Murray River, there's little to do but fish or listen to the local radio station. D.J. Ken Sherry arrives from the hustle of Brisbane to run the station; he's mid-40s, detached, thrice divorced, hatchet faced. But both sisters next door find him attractive: awkward Dimity, only 20, who works in a Chinese restaurant with few patrons, and perky Vicki-Ann, a hairdresser with a hope chest who invents a happy future with Sherry based on little but his arrival. First Dimity then Vicki-Ann spend the night with Ken, one concluding he's her boy friend, the other her fiance. Then Dimity begins to smell something fishy.
The construction team blindly developed the unknown island, which alerted the two fierce creatures on the island to be destroyed.
In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.
Latvian artist Miķelis Fišers, one of the brightest artists of his generation, leaves everything to go to Latin America to find inspiration for his creative work and disappears. His friend, film director Mārtiņš Grauds decides to search for him. The film reveals a moment of artistic creation. The filming crew has been looking for the artist in Peru, Mexico, Bolivia, Finland, Italy and Latvia.
Strait-laced teacher at a girl's school unleashes his wild side when he debuts as a pop singer in his spare time.
A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.
A kind wanderer living around a circus, who also happens to work as a modern Robin Hood, must solve the mystery behind the kidnapping of a lost little girl he meets.
Santiago is a young man who unexpectedly has an accident that leaves him in a wheelchair. Losing his "friends", his girlfriend and getting bullied at school. When all seems lost, he meets Mateo, a new exchange student, who is gay and defends him from bullying. Their friendship over time turns into something more, giving Santiago's life a new meaning and the courage to defend his love against the stigmas of religion, sexual orientation and physical disability.
A voyeuristic musician meets a seductive senator's wife who wants her husband and stepson out of the way...
This film is dedicated to my 1-year-old daughter Hana/花(which means “flowers”) and my 3-year-old daughter Nemu/眠(which means “sleep”) who learns Hiragana recently. The reason why I created this film is that I wanted to show them “the magic” that their favorite Teddy bear can move.
“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.