A woman drifts back to childhood memories of rural Texas where her discovery of the jawbone of a horse in a field leads to a fascination with, in her own words, "dead things." Her natural history collection of insects and bones takes on a supernatural quality when she finds the corpse of a strange creature that she believes must be a faery. Using still photographs, found objects and unsettling creations that briefly come to life via stop-motion animation (which evokes the work of the Brothers Quay and gives them an even more unreal presence), filmmaker David Lowery tells a phantasmagorical story, part fantastical mystery and part nightmare, as a primal memory. A CATALOG OF ANTICIPATIONS weaves imagination and experience into a haunting tale recalled in snapshots of recollection, a dark fantasy with a tactile texture that grounds it in the physical world and narration that frames it as a coming-of-age moment. - Sean Axmaker
Two people bound together in the same road and fall for each other in an unexpected way.
The incomparable Luciano Pavarotti at his most eloquent brings Donizetti’s Nemorino to live as only he can, combining vocal fireworks, personal charisma, and charm. The enchanting production by Nathaniel Merrill, with designs by Robert O’Hearn, is the perfect setting for Nemorino’s quest to win the heart of beautiful Adina, sung by the sparkling Judith Blegen. Brent Ellis as Belcore and Sesto Bruscantini as Dr. Dulcamara round out the all-star cast. Nicola Rescigno conducts.
Ma and Pa, along with daughter Rosie, go off to Hawaii in answer to cousin Rodney's call for help running his pineapple farm while he recovers from an illness. Pa soon causes a major explosion and gets himself kidnapped.
A boy wanders the city alone on a hot summer's day. He tries to escape it, but ends up finding a new friend. The film turns into a literal flight of fantasy.
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?
A former FBI agent must stop a crazy man from blowing up bombs.
The story of a serial killer but bears little resemblance to a slasher movie. We know almost at once who the killer is and the emphasis is not on the murders but on his psychology as he falls in love with one of his prospective victims - a weakness which, of course, will be his downfall.
Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.
A long time ago, the so-called "Google Wars" engulfed the whole world in a deadly chain reaction. Civilization came to a grinding halt. But there is still hope. This is the story of a new beginning...
Through the narration of a tenant of a block of flats on 288 Stournara street, we watch the everyday stories of people living in the city, their problems, their comic situations and their love affairs.
A day in the life of a Chicago cab driver is examined as he picks up fares from the good and bad parts of the city and emotionally connects to many of his passengers.
After finishing his MA in Anthropology, Hugo spends his days giving his brain a rest from the endless reading of texts by unknown authors. His only company is Luisa, the cleaning lady, with whom he plays cat and mouse. To escape the sleep of reason – which creates monsters -, Hugo exercises his lyrical vein by writing, with his friend Manuel, songs about their neighbourhood. The quiet dilettantism of our protagonist is shaken by Catarina, a young and beautiful translator who’s starting her professional life as a freelancer. Hugo is hooked and wavers. High above, a kestrel falcon hovers. It’s not the only bird of prey that can do it.
Directed by Edwin S. Porter and/or Wallace McCutcheon Sr.
Dinda just wants to be happy, but often reality does not match expectations. But now he meets someone who makes him realize: good love is not always full of wounds. A sense of calm that is not restrained, maturity that is not excessive and still gives freedom to every childish nature.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
A man engulfed in the suffocating grip of loss finds his life fragmented. Struggling to navigate through his emotional fog, his mother suggests a retreat to her cabin – but an ancient entity that thrives on sorrow has taken root. The New England winter punctuates this love letter to creeping horror and slow cinema.