When a store clerk organizes a contest to climb the outside of a tall building, circumstances force him to make the perilous climb himself.
A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.
მიხაელ ჰანეკეს სადებიუტო ფილმში ნაჩვენებია ფრაგმენტები აყვავებული ავსტრიული ოჯახის სამი წლის ცხოვრებიდან. ისევე როგორც ყველას, ის არ არის უსიამოვნებებისა და წუხილის გარეშე - ან მის ქმარს პრობლემები აქვს სამსახურში, ან მისი ცოლის ძმას აქვს დეპრესიის მორიგი შეტევა, ან მისი ქალიშვილი იწყებს პრეტენზიას, რომ ბრმაა. ისე, საერთოდ, მათი ცხოვრება იმდენად ერთფეროვანი და მოსაწყენია, რომ ხვდებიან, რომ ასე ცხოვრება აღარ შეიძლება. და ისინი გადაწყვეტენ მიატოვონ ყველაფერი და წავიდნენ ავსტრალიაში. ან სადმე სხვაგან. მთავარია, თავი დააღწიოთ ყოველდღიურობის ერთფეროვნებას.
When a madman dubbed 'Scorpio' terrorizes San Francisco, hard-nosed cop, Harry Callahan – famous for his take-no-prisoners approach to law enforcement – is tasked with hunting down the psychopath.
When decorated soldier Captain Colter Stevens wakes up in the body of an unknown man, he discovers he's part of a mission to find the bomber of a Chicago commuter train.
Guts, an immensely strong sword-for-hire, has little direction in his life, simply fighting one battle after the next. However, this all changes suddenly when he meets and is bested by Griffith, a beautiful and charismatic young man who leads the Band of the Hawk mercenary army. After Guts joins the Band and the relationship between the two men begins to blossom, Casca, the tough, lone swordswoman in the Band of the Hawk, struggles to accept Guts and the influence he has on the world around her. While the two men begin to fight together, Griffith continues to rise to power, all seemingly in order to reach his mysterious, prophesied goals. What lengths will Guts and Griffith go to in order to reach these goals, and where will fate take the two men?
A woman in her sixties embarks on a journey through the western United States after losing everything in the Great Recession, living as a van-dwelling modern-day nomad.
Along the dark country roads of rural Germany, prostitutes from foreign countries work in old caravans. ln this uncanny world, the murder of one of the women .
In Stip, a small town in Macedonia, every January the local priest throws a wooden cross into the river and hundreds of men dive after it. Good fortune and prosperity are guaranteed to the man who retrieves it. This time, Petrunya dives into the water on a whim and manages to grab the cross before the others. Her competitors are furious - how dare a woman take part in their ritual? All hell breaks loose, but Petrunya holds her ground. She won her cross and will not give it up.
A prequel to the first two Underworld films, this fantasy explains the origins of the feud between the Vampires and the Lycans. Aided by his secret love, Sonja, courageous Lucian leads the Lycans in battle against brutal Vampire king Viktor. Determined to break the king's enslavement of his people, Lucian faces off against the Death Dealer army in a bid for Lycan independence.
ტროპიკულ კუნძულზე დასასვენებლად წასვლის შემდეგ, ორი შვილიანი ოჯახი გადაწყვეტს სასტუმროს მენეჯერის რჩევას მიჰყვეს და ულამაზესი განცალკევებული პლაჟი მოინახულოს. მათ გარდა სანაპიროზე სხვა სტუმრებიც არიან: ოჯახი პატარა ქალიშვილით, შუახნის წყვილი და პოპულარული რეპერი. მაგრამ მალე მოდუნებულ დასვენებას პანიკა ცვლის, როდესაც კომპანია აღმოაჩენს გვამს და შეამჩნევს, რომ ბავშვებმა მოულოდნელად ძალიან სწრაფად დაიწყეს ზრდა.
Desperate to save their marriage, a young couple takes a deal to move into their dream home, but disturbing events reveal the house's troubled history.
A young thief with a history of grand theft auto becomes an informant and helps police bring down a criminal enterprise involved in the smuggling of hundreds of exotic super cars.
Exil tells the story of a chemical engineer of foreign origin who feels discriminated and bullied at work, plunging him into an identity crisis.
Phillips has embarked on a new phase of work that hinges on the self-awareness of real-life subjects. Lindsay Lohan (2011) and Sasha Grey (2011), his first two films, made their debut at the “Commercial Break” film project at the 2011 Biennale di Venezia. In these "motion portraits ", the notorious actresses pose erotically—Grey in a modernist John Lautner home, and Lohan in an aquamarine infinity pool. Both actresses project self-conscious recognition in their performances and in turn point toward the transformative potential of narrative action, framed by their compelling beauty. Phillips’s third film, First Point (2012) marks his second collaboration with Lohan and third collaboration with legendary surf filmmaker Taylor Steele. A contemporary film noir, First Point juxtaposes haunting nocturnal imagery with surf sequences in which female pro-surfer Kassia Meador (Lohan's acknowledged stunt double) and Lohan herself appear.
A harmless game of "Truth or Dare" among friends turns deadly when someone—or something—begins to punish those who tell a lie—or refuse the dare.
During World War I, a German U-boat sinks a British ship and takes the survivors on board. After it takes a wrong turn, the submarine takes them to the unknown land of Caprona, where they find dinosaurs and neanderthals.
Set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink of social, economic and environmental disaster. Boxer Santaros is an action star who's stricken with amnesia. His life intertwines with Krysta Now, an adult film star developing her own reality television project, and Ronald Taverner, a Hermosa Beach police officer who holds the key to a vast conspiracy.
When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.