A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
During the 2nd year of high school in the winter season, Yano transferred from Kushiro to Tokyo due to a family matter. Yano and Nanami promised to meet again. A couple of years later, Nanami is busy finding a job, while Yano's friend Takeuchi supports her. in the beginning, Yano and Nanami kept their relationship, even with the long distance between them, but Yano suddenly stops contacting Nanami.
Six-year-old Bi has been afraid of water since the flood took her younger brother. Her father, Karl Klingert, dedicated himself to working on the world's first diving suit. Bi thinks the suit is the monster that took over her father. With the help of Peter, a young bully from the river, she tries to destroy it before the whole family leaves Wroclaw forever.
The biggest problem of the 19-year-old high school student Jana is the relentless everyday-life and time. She don't want to think about the remaining time until the next event. For her own interests, she prefer to use the time as she would like. But she becomes the victim of her own strategies..
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Namsai has been cursed by a witch since childhood. At night her hair turns into snakes and she must feed on humans. One day in an ancient book, she discovers a way to remove her curse so she embarks on an expedition with her friends.
The task of some guerrillas is to try to foment the conscience among peasants of a town, but their attempts will be tragically restricted.
A pair of ghosts haunt a criminal businessman who had them killed as two police officers try to take his organization down.
The North Bohemian town of Chudoplesy in the middle of the 19th century: the only local industry is the domestic production of reed goods. The poor reeders organize a revolt against the exploitative factors.
Renate is afraid that if she allows herself to mourn her dead mother, she will lose control over her own life. When she finally realizes that suppressing her depression is destroying the relationship with her sister, Renate understands that she is about to lose all control over herself.
The complex relationship between master and servant is explored in director João Botelho's adaptation of Denis Diderot's popular novel Jacques le Fataliste et Son Maître. As Tiago (Rogério Samora) drives his master (André Gomes) through the Portuguese countryside to an unspecified destination, the traveling pair embark on a series of highly philosophical discussions. Flowing with tales of his life in the military and previous sexual escapades, Tiago trades a series of tales with his rapt passenger, including the story of a vengeful spurned lover who plots revenge on the nobleman who rejected her by transforming a prostitute into a society lady and convincing him to marry the tainted bride.
Two hooligans attach lengths of sausage to a running motorcar, setting off a city-wide chase.
A wealthy woman's attempts to help her financially troubled husband go unrewarded.
History of Turkish Horror Cinema tries to take the first step in explaining how horror cinema started in Turkey, what prejudices it strives to break, and how film directors, producers and screenwriters see horror cinema.