An evil sorceress transports the gang back to the age of chivalrous knights, spell-casting wizards, and fire-breathing dragons.

Groot sets out to paint a family portrait of himself and the Guardians, only to discover just how messy the artistic process can be.

Following the events of “Guardians of the Galaxy Vol. 1,” Baby Groot is finally ready to try taking his first steps out of his pot—only to learn you have to walk before you can run.

High society sleuths Nick and Nora Charles run into a variety of shady characters while investigating a race-track murder.

U modernoj Americi u kojoj su vještice stvarne, a vještičarenje ilegalno, skrivena tinejdžerka mora se suočiti sa vlastitim demonima i predrasudama dok pomaže dvjema mladim vješticama da izbjegnu provođenje zakona i pređu južnu granicu do azila u Meksiku.

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

DJ Cinema is mixing up blends with artists like Biggie, Nas, Jay-Z, AZ, Rick Ross, Fabolous, 50 Cent and Jadakiss.

The Kingdom of the People of the Earth once ruled over the land, but now all that remains is the Sword of the Earth. in the city of Eindoak. Satoshi, Iris, and Dent arrive in Eindoak during a harvest festival's Pokémon Tournament and meet the legendary Pokémon Victini who wishes to share its powers of victory to someone. Elsewhere in the city, a descendant of the People of the Earth named Dred Grangil has arrived who seeks to revive the kingdom's power with the Sword of the Earth, bringing them back into power over the land, and Satoshi and his friends must stop him before he destroys the land along with Victini.

A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

A short, graphically dynamic work contrasting contradictory views of perception and interpretation, by way of society's assumptions vis-a-vis phallocentrism and fetishism.

Ophelia, a young nun recently arriving in the town of San Ramon, is forced to perform an exorcism on a pregnant woman in danger of dying. Just when she thinks her possession has ended, she discovers that the evil presence hasn't disappeared yet. The director of the award-winning Here Comes the Devil and Late Phases adds a new twist to possession movies in one of this year's Latin American horror surprises.

After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.

For this second film in the cult comedy series Torrente takes our fat police officer from Madrid to Marbella in Spain to investigate a villain’s plot to destroy the city with a missile. This James Bond style slapstick comedy became the most successful box-office film in Spanish film history beating out only the first Torrente film.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.