Mortimer Bruster je novinar i pisac poznat po oštrim kritikama prema bračnoj zajednici, unatoč tome ni on nije imun prema ljubavi. Zaljubi se u Elaine Harper, mladu djevojku iz Brooklyna i uskoro se nađe pred oltarom. Sve što mu ostaje je javiti dobru vijesti njegovim dvijema tetama koje žive u Elainenom susjedstvu. No, Mortimer ne zna da njegove tete skrivaju veliku tajnu, kuću punu leševa mladih muškaraca.
Yuki's family is nearly wiped out before she is born due to the machinations of a band of criminals. These criminals kidnap and brutalize her mother but leave her alive. Later her mother ends up in prison with only revenge to keep her alive. She creates an instrument for this revenge by purposefully getting pregnant. Yuki never knows the love of a family but only killing and revenge.
Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.
Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister.
In the immense city of Tokyo, the darkness of the afterlife lurks some of its inhabitants who are desperately trying to escape the sadness and isolation of the modern world.
Dante, a pony express in serious debt, meets Nina, a hostess stuck in Torino for the night.
After a train accident, a woman survives and is mistaken for an other woman she just met on a train before the accident.
Based on the true story of teenager James Burns who goes from a suburban street gang to a maximum-security prison cell surrounded by hardened criminals. He turns his life around in prison thanks to the unexpected friendship he forms with a convicted murderer who becomes his mentor.
Igrajući verziju sebe u filmu koji neprestano stapa dokumentarni film s fikcijom, stvarni osnivač „Obiteljske romanse“ Yuichi Ishii glumi muškarca angažiranog da glumi nestalog oca 12-godišnje Mahiro – posao koji postaje sve složeniji kada na površinu izađu osjećaji naklonosti, a igra uloga ispreplete se sa stvarnošću. Usput, Herzog istražuje tangente drugih slučajeva svjesne samoobmane i mašte, uključujući posjete hotelu koji vode humanoidni roboti i pogrebnom salonu gdje ljudi mogu platiti da dožive vlastite sprovode.
Sam, a soldier who had served in Afghanistan and Iraq, meets Amira when he visits her uncle, Bassam, who had served as Sam's Iraqi translator. Bassam and Sam have a special bond due to their time together in the war. Initially Amira does not trust him because he was an American soldier and her brother was killed by a bomb from American troops in the war. Sam's cousin, Charlie, asks Sam to help him with illegal hedge funds unbeknownst to Sam at the time. Amira is staying with her uncle Bassam since her father died. She sells bootlegged films on the street corner but is forced to stay with Sam after getting busted; immigration officials begin pursuing her. As the film progresses, Sam and Amira fall in love.
The inhabitants of a small Japanese town become increasingly obsessed with and tormented by spirals.
Područje Sjeverne Amerike 2070. godine. Dok pod vodstvom mudrog majmuna Cezara (R. McDowall) pokušavaju organizirati zajednički život u miru i toleranciji, ljudi i majmuni sjećaju se prošlosti u kojoj su zli ljudi zaratili sa svojom vrstom, ali i s majmunima. Nakon što je Bog stvorio par majmuna iz čije je veze rođen Cezar, prvi majmun koji je posjedovao mogućnost govora, njegovi su roditelji ubijeni, a Cezar je preživjele majmune poveo u borbu za ravnopravnost s ljudima. Izbavivši se iz ljudskog ropstva, majmuni su nakon nekog vremena pod Cezarovim vodstvom izgradili zajednicu u kojoj s ljudima žive u slozi i međusobnoj toleranciji. Cezar je u međuvremenu započeo vezu s majmunicom Lisom (N. Trundy), s kojom ima i sina Corneliusa (B. Porter). Dok Cezara o najvažnijim pitanjima savjetuje mudri stari majmun Virgil (P. Williams), ljude predvodi MacDonald (A. Stoker).
An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.
Zamamna ljubavna priča koja prati Grega. Nakon što se nedavno razveo, a potom zapustio, upoznaje misterioznu Isabel. Ženu koja živi na ulicama uvjerena da je zagađeni, slomljeni svijet oko njih zapravo računalna simulacija.
A teacher writing a book about gambling meets a hotel/casino owner threatened by a gangster.
This, the first Soviet depiction of Peter the Great, set the stage for what would become the post-Revolutionary line concerning the early Romanovs. Rulers like Ivan the Terrible and Peter the Great were widely admired for their dedication to Russia and their absolute determination to enhance her position in the world. But praise for the hated later Romanovs conflicted too heavily with the very beliefs that had brought about the Revolution in 1917.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
Diana Watts, a high school teacher in Austin, Texas, is in the midst of an affair with one of her students, Eric Tull. As the reality of their situation forces itself upon them, Diana puts the relationship on hold. It’s only a matter of time before she gives in again to her desire; this time even more recklessly than before.
A helicopter charter turns deadly when the pilot finds that she is on a building held by terrorists. It is up to her and her husband to save the hostages.
Mojtaba, Hamzeh, Zar are among other individuals who have been thrown into prison and ideologically interrogated in Iran. In this documentary, the director wants them to interrogate him as agents of the Islamic Republic might. He would like the real torturer in Iran to see himself through the film as if in a mirror. The violent experience of putting themselves in the torturer's head confronts them with their own limits and the ambivalence of the project itself.