Recorded live at the Empress Ballroom, Blackpool, 12th August 1989. Setlist: 1. I Wanna Be Adored 2. Elephant Stone 3. Waterfall 4. (Song for My) Sugar Spun Sister 5. Made of Stone 6. She Bangs the Drums 7. Where Angels Play 8. Going Down 9. Mersey Paradise 10. I Am the Resurrection

A mysterious stranger comes between a happy couple, with deadly consequences.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

In his last weeks of life, a man embarks into the deep forest to confront death face-to-face. What he finds in the depths of an abandoned mine shaft may be more than he was looking for.

A delinquent teenager is killed in a car accident, and is resurrected as an investigator of the supernatural.

From the Tea Party Movement to State Legislators, the American people are drawing a line in the sand. On what side of it will you stand? Has the government our Founders created been forgotten by Washington DC? Is a Patriot Uprising ready to capture the spirit of 1776? "Don't Tread On Me: Rise of the Republic" gives the viewer a look into the movements, mindset, and legislation that will catapult the "Great Restoration" into households across America. What is the choke-collar the Federal Government uses to reign in the States? Are the States sovereign or subjects of Washington DC? What did the Founders foresee and how did they seek to protect us from a tyrannical government?

Shot in Munich just a few weeks after it was taken by the American troops on April 30, 1945.

“Each of you is an ambassador, and we are sure that each of you will be the best ambassador of our country.” This is how the film begins; a speech to emigrant workers for France. Salah left his three sisters and his mother to become an ambassador, going to work on a Defense site, wading in the mud, he works with a jackhammer. Salah wanders in search of work and housing. Coming up against racism from the owners claiming the respectability of the building and the good neighborhood, he finds himself in a hotel in the Goutte d'Or district. The body of Mehdi, friend of Salah, was found in the Canal Saint-Martin, murdered by a fascist commando, and Ali died of a bullet, killed by a racist janitor. Faced with crimes that remain unpunished, Salah and his friends organize, unite with the French working class to defend their lives and their right to work.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Oswald takes Miss Rabbit out for a ride in his jalopy and soon finds himself in a race with a chasing police car.

Set in Cape Town, South Africa Mama Jack is the story of Jack Theron, an ordinary person working on a film set. However, his movie producer boss hates him and wants to remove him from the production of the film. In a bid to get rid of Jack, the producer spikes his drink with a drug at a glamorous function, and before long Jack has got himself on the wrong side of the law. While on the run, Jack turns to his friend, a make-up artist, who turns him into "Mama Bolo". Mama Bolo soon finds “herself” employed by the producer’s fiancée, Angela. A series of deceptions and misunderstandings pile up and comic mayhem ensues with Jack Theron becoming another character, Doctor Donald, a tramp from Scotland.

Oklahoma mechanic Pike Peters finds himself part owner of an oil field. His wife Idy, hitherto content, decides the family must go to Paris to get "culture" and meet "the right kind of people." Pike and his grown son and daughter soon have flirtatious French admirers; Idy rents a chateau from an impoverished aristocrat; while Pike responds to each new development with homespun wit. In the inevitable clash, will pretentiousness and sophistication or common sense triumph?

As the star of his church choir, there's nothing that brings Billy more joy than the opportunity to sing for an audience. However, as his desire to perform grows, the stalwart youth finds that waiting until Sunday to get his fix just simply isn't enough. Going against the advice of his pastor, Billy follows his girlfriend into the world of secular entertainment, joining the local community theatre troupe. There, Billy is introduced to a whole new world, where his fellow thespians dabble in drugs, sexual perversion, and table-top game-play. Yet, for all the newly minted depravities Billy encounters, none could prepare him for the darkest truth of them all: The theatre group is actually a front for a Satanic cult intent on raising Dracula from the grave!

Isabel is deeply dissatisfied with her motherhood. She expects more from her life. Will she be able to walk away, leave her son and start a new life?

Mentally ill. Deviant. Diseased. And in need of a cure. These were among the terms psychiatrists used to describe gay women and men in the 1950s, 1960s, and early 1970s. And as long as they were “sick”, progress toward equality was impossible. This documentary chronicles the battle waged by a small group of activists who declared war against a formidable institution – and won a crucial victory in the modern movement for LGBTQIA+ equality.