A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Recap film focusing primarily on the match against Aoba Jouhsai from the second season.

In their vehicle, Laurie, Kristy and Linda live alone on the American roads. Like thousands of modern American nomads who can no longer afford to pay for their housing. With no money to spare, these three sixty-year old women are fleeing, in their own way, a part of their history that has left a deep mark on them. Driving away, they try to regain some form of peace. But as the miles and seasons pass, despite their impressive temerity and resilience, their quest for a better future is challenged by unexpected events that hit a country in crisis. Will they nevertheless manage, at the end of the road, to find the serenity they are looking for, in order to become someone again?

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Keka is a beautiful young woman working in a call center. Wanting to hunt down the killers and avenge her boyfriend's death, she undergoes rigid training. Everything has been going well until she meets the guy who makes her fall in love again.

Moscowin Kavery (English: Moscow's Kaveri ) is a 2010 Tamil romantic drama film written and directed by cinematographer Ravi Varman, making his directorial debut, besides handling the cinematography. The film, which has lyrics written by Vairamuthu and music scored by Thaman, stars Rahul Ravindran and Samantha in the lead roles with Harshvardhan, Santhanam and Seeman essaying supporting roles. Releasing on 27 August 2010, after nearly three years of production, the film was ultimately panned by critics.

An Austrian prince flees his homeland when the Nazis take over and settles in London. He meets a beautiful Austrian émigré who makes him realize his mistake in leaving. He makes a deal with the Nazis to return in exchange for some Austrian prisoners, but discovers that the Nazis are not to be trusted.

Esther goes into service in Victorian England, only to be seduced by the sweet talking groom William, who then takes off with his employer's daughter. Left alone to bring up the child, Esther manages and after 7 years has a chance at happiness. Then William turns up again...

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Um menino e seu dragão tentam resgatar o Papai Noel dos planos de um Arvid, o yeti mais maligno de todo o Pólo Norte.

A young man decides to be a film director against the wishes of his family. Even after witnessing his father's downfall in the film industry, he doesn't give up on his dream. His love interest further separates him from the family. Without losing hope, he goes on to direct his autobiographical film 'Aathmakatha'. Will the success of the film reunite him with his lost soul and family?

In order for the revolution to live up to its promise, might love be the missing ingredient? Artist Dora García delves into the archives and finds in the searing writings of Alexandra Kollontaï, an early-20th-century revolutionary, a precious ally of queer and feminist movements in Latin America and elsewhere. A joyfully militant political film."

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

Valerie Graves, a misanthropic, disillusioned woman in her mid-twenties, is haunted by sadistic urges that she has struggled to repress since childhood.

After receiving a departing letter from her lover a girl must face reality and come to terms with the loss of who she thought was the one. Having coming to terms with this isn't as easy as she imagined and actions take their tole with a treacherous outcome.

Without question, this is an incredibly bizarre production. The revised storyline makes little sense, and there is a surprising amount of violence and sexual innuendo. However, the singers are superb, both vocally and in regard to their stage presence and acting, the orchestra plays beautifully, the chorus is wonderful, and the set is as clever as it is strange. It's definitely not for purists, or for someone new to this particular opera. But for someone who's seen Die Entfuhrung before, and is familiar enough with the original story to not miss it, watching Belmonte, Constanze, Blonde, Pedrillo, and Osmin embark on an entirely new adventure -- and push the boundaries of good taste -- is rather enjoyable.

A young transgender woman takes a hike through the English countryside in an attempt to resolve her spiritual crisis - but an ancient evil strives to ensure that she never completes her journey.

Red Earth imagines a world in the late Anthropocene, where large parts of Earth have become inhospitable to life. The story follows three generations of Martians, from the first colonists to the first expedition to return to an Earth decimated by interplanetary war.