Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.
With much of Mogwai’s recent output having fallen uncharacteristically flat, one could be forgiven for thinking that this release, a live album and DVD set, signals the once-great band finally running out of ideas. Yet while Special Moves/Burning offers nothing in the way of new material, it serves as a timely reminder of Mogwai’s immense talent and eternal ability to inspire.
The little Puppy, on the advice of the crafty Cat, is trying to find out who he is - a hunting dog, a guard dog or a diver? It turns out he doesn't know how to do anything. But he finds a lost slipper for the owner and realizes that he is loved for who he is.
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?
Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.
Life is good for Nino van Doorn (8). He has a terrific brother Lucas (14), wise father Bruno and an angel of a mother, Marla. When Marla dies, Bruno can't cope with her death. Also the values like order, responsibility, love and care they represented. The two brothers create their own world. But soon the anarchistic world is threatened by the outside world. The two brothers are prepared to fool the system but what happens is that they really become a family again.
A former FBI agent must stop a crazy man from blowing up bombs.
Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.
A long time ago, the so-called "Google Wars" engulfed the whole world in a deadly chain reaction. Civilization came to a grinding halt. But there is still hope. This is the story of a new beginning...
Film Henryka Kluby ukazuje ostatni etap życia wielkiego twórcy, etap, w którym Witkacy podejmuje decyzję o samounicestwieniu. Narastające poczucie zagrożenia, bezcelowości wszelkich działań, lęku przed tym, co ma nastąpić, towarzyszy mu nieustannie podczas ucieczki z Warszawy na Wschód przedsięwziętej w momencie wybuchu II wojny światowej. Codzienne fakty i wydarzenia przeplatają się w filmie z reminiscencjami, obrazami z jego życia wspartymi wewnętrznym monologiem artysty. Styl narracji i sposób fotografowania sprawiają, że film staje się przejmującym studium wewnętrznej dezintegracji pisarza. Podkreślając malarskość obrazu, wprowadzając wątki oniryczne, Kluba oddaje na ekranie cechy właściwe zarówno dramatopisarstwu, jak i malarstwu Witkacego. [filmpolski.pl]
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.
Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).
It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.