Deciding whether to have a child is an emotionally fraught and deeply personal process. Deciding amid increasingly dire warnings about the climate makes it even more paralyzing. The Climate Baby Dilemma is a documentary charting the growing number of young people either refusing to bring a child into an increasingly unstable world or struggling with the ethics of whether they should or not. As the conversation about intimacy and climate change heats up, we meet activists, journalists, parents and prospective parents, ethicists and scientists to unpack this growing trend.
Film reportage of a kinetic, abstract work by Richard Mortensen.
An investigation into the truth behind the murder of Guatemalan Bishop, Juan Gerardi, who was killed in 1998 just days after trying to hold the country's military accountable for the atrocities committed during its civil war.
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?
"Jack" targets a fashion model and her photographer, while the photographer's ex-wife and her new boyfriend are also drawn into the action.
Fon has been harboring a secret love for her best friend for as long as she can remember. Fearful of jeopardizing their friendship, she chooses to keep her feelings hidden. However, seeing her best friend and her boyfriend's intimate moments makes her feel very uncomfortable. How long will she be able to hide her feelings? Will Fon be able to turn her friendship into love?
A former FBI agent must stop a crazy man from blowing up bombs.
Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.
In this film several objects make paintings on an empty canvas, which all turn into photos and films.
An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Barry and Susan O'Brien are a young married couple who have just inherited a house. They love their beautiful new home, and decide to throw a party. The party is partly to show off their new digs and partly because Barry, an actor, wants to butter up the producer of a soap opera in hopes that his character won't be killed off. But the O'Briens soon discover that they have to worry about death in the real world too, because a flock of demons is hiding out in one of the closets, waiting to be released.
Maiko is a recently widowed young woman travelling to Bali to distract herself from the loss of her husband, Esau. At the airport she meets Kioko, who gives her a dagger and a photo of a woman. She tells Maiko she must find the woman, Shireni, in Bali and convince her to return to Japan, or she must use the dagger to kill her. Soon after her arrival in Bali she meets Shireni and is invited to stay with her. Quickly Maiko finds herself trapped on Shirini's island paradise, by her own confusion and her developing love for Shireni. She discovers Shireni to be immortal, a former spirit medium whose only goal is to find pleasure, body and soul.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
A guy leaves his wife in Hong Kong and goes for business in mainland, where he meets a new girl and falls in love with her.
Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.