Hins Cheung teamed up with the Hong Kong Philharmonic Orchestra (HKPO) for three concerts in November 2011. In the nearly two-hour performance that was divided into themed sessions of Love, Inspiration, Freedom, and Eternity - or LIFE collectively - the singer's wonderfully infectious voice melded perfectly with the breathtaking musical accompaniments of the HKPO on a set consisting of more than 20 songs. Besides delivering orchestral versions of his own hits, Hins also paid tribute to yesterday's great singers with his renditions of classic numbers from Danny Chan, Anita Mui, Leslie Cheung, and Deanie Ip; he even sang a Kit Chan song while playing the harp on a midair platform!
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.
A killer for the Russian Mafia in Vienna wants to retire and write a book about his passion - cooking. The mafia godfather suspects treason.
An elegant and humorous film—in the guise of a serious anthropological treatise—spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking.
In a California memorabilia shop in 2010, collector Randy Guijarro bought a tintype that looked to be a familiar figure, Billy the Kid - playing croquet with his gang known as The Regulators. As the gravity of the discovery began to set in, Guijarro initiated a chain of events that would lead him on a painstaking journey to verify the photograph's authenticity.
The light of love: a science fiction film set in Alphaville, 2015. Shot in Melbourne, 1991.
Havana, CUBA (2019) An ever-quiet taxi driver meets five different people over the course of one night
A newly single man eases the pain of his midlife crisis by launching a public access talk show.
A fascinating journey through the life of Israeli artist Dani Karavan, an irreverent and charismatic creator, recognized worldwide for radically transforming public space with his monumental environmental installations.
Destruction and betrayal take center stage in the latest installment of the New Fist of the North Star series. When Kenshiro returns to find the city in ruins and its citizens tormented, his pain is compounded when he is betrayed and imprisoned by Tobi. As Tobi prepares a brutal assault on Seiji, Kenshiro must summon all of his strength to break free and take put a halt to his former friend's destructive scheme.
An excellent comprehensive look at all the music that came out of Cincinnati, Ohio. Cincinnati "Rock Legends" "James Brown" "King Records" "Pure Prairie League" "Lemon Pipers" "Syd Nathan" WEBN "Bootsy Collins" "Lonnie Mack" "The Who concert 1979" "Rick Derringer"
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
A musical with different singers, musicians and Argentine comedians of the eighties.
Perhaps no opera is as closely and affectionately associated with a single opera house as Le Nozze di Figaro is with Glyndebourne. Michael Grandage's staging is no less than the seventh in the festival's history, and sets the opera in the sleazy Sixties. Directed by Robin Ticciati, the production was lauded for its "ideal pacing" and youthful cast (which includes "no weak link" and "looks gorgeous"—The Sunday Times), and continues Glyndebourne's rewarding explorations of Mozart and Da Ponte's "day of madness".