Shortfilm remake of the finale of "ALIEN": After her ship has been destroyed, the last survivor of the ship's crew tries to finally get some sleep. But the hideous creature has also survived the explosion. Only question ist: Who will be able to rest at last?

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

Arjun falls in love with Aadhya, his junior in college. Though both of them like each other, they never express themselves. Madhumathi, Arjun’s mother, in a way, plays cupid. In another parallel track, Shiva, married to Maya, longs for her love and affection, rooting for her to recover from a traumatic past with Rishi. These parallel stories are intertwined with one Incident! Did that incident cleared their problems or created more difficulties?

Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes a nosedive. In hopes of rekindling their romance and getting Vicky back on the boards with him, Dan follows her to a ritzy resort in the Canadian Rockies, where she and Victor are about to open their new act. But things get complicated when Dan wakes after a bender to find that he's hired an outlandish Latin secretary, Rosita Murphy, which makes Vicky think he's just up to his old tricks again.

Kabul - a city struggling to recover from 25 years of warfare. Taxi driver Khaled picks up a woman and baby. Her face is hidden behind a blue burka. They settle on a price, she pays him and they drive off. The taxi arrives at its destination. The woman gets out and a new passenger climbs in... to find the baby still in the backseat. Khaled leaps out after the woman but she's vanished. He's left holding the baby - a 6-month-old boy. Who is the mother? How can he find her? He asks friends and strangers in the street. He returns to where he picked her up. Nothing. Fate has handed him a young life for which he feels more and more responsible. An eventful, chaotic, often highly comic journey through a city which is itself simply trying to survive. Poignant, rich, vibrant, Barmak Akram's debut feature is a remarkable portrait of one man's emotional awakening in a city returning to crazy life after 25 years of violent conflict.

Moses and Kitch, two young black men, chat their way through a long, aimless day on a Chicago street corner. Periodically ducking bullets and managing visits from a genial but ominous stranger and an overtly hostile police officer, Moses and Kitch rely on their poetic, funny, at times profane banter to get them through a day that is a hopeless retread of every other day, even as they continue to dream of their deliverance.

Mit seinen „Heimatfilmen“, seinen Aktionen und Interventionen in Theater, Fernsehen, Oper und Kunst hat der Regisseur Christoph Schlingensief über zwei Jahrzehnte den kulturellen und politischen Diskurs in Deutschland mitgeprägt. Die renommierte Filmeditorin Bettina Böhler unternimmt in ihrem virtuos montierten und ungemein unterhaltsamen Regiedebüt den Versuch, den Ausnahmekünstler in seiner ganzen Bandbreite zu zeigen. Im Fokus steht der „Familienmensch“, der in seinen Arbeiten gleichermaßen das Verhältnis zu den Eltern in Oberhausen und das Verhältnis zu Deutschland thematisiert. Der Film durchlebt die ganze Entwicklung Schlingensiefs: vom quasi pubertierenden Filmemacher im Kunstblutrausch, über den Bühnenrevoluzzer von Berlin und Bayreuth bis hin zum Bestsellerautor, der kurz vor seinem Tod die Einladung erhält, den Deutschen Pavillon in Venedig zu gestalten. Dabei überträgt sich die ungebändigte Energie des Proträtierten unwillkürlich auf die Zuschauer.

Eine junge Frau aus dem 17. Jahrhundert steigt quicklebendig aus ihrem Gemälde und bittet die zwölfjährige Jackie um Hilfe: Oopjen muss das Porträt ihrer Schwester in Amsterdam finden. Die ungleichen Kunstdetektivinnen suchen nach Hinweisen, während sich die Presse auf den Fall stürzt. Ein krimineller Kunsthändler entführt Oopjen. Als das Museum eine Lösegeldforderung erhält, setzt Jackie alles dafür. .....

Drawing from a passage from the Rosh Hashana Service, “Who shall live, who shall die… who by water, who by fire,” this short film deals with that which has been preordained—a future history that will in time unfold before us as the faces of passengers on a ship forces us to contemplate our own fate.

Susan and Henry are hosting a dinner party, while trying to make good on a lie concerning the recent death of their father. Unexpected guests arrive, causing the night to unravel despite Susan's best efforts.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.

No Time for Tears is a moving, sympathetic portrayal of the challenges faced by all those who enter this most demanding yet rewarding of professions – from routine operations to more serious conditions, from anxious, sometimes hostile parents to workplace romance. The lives of the staff and patients of Mayfield Children's Hospital are inextricably woven together with the laughter, tears and devotion that lie behind the work of restoring children to health and happiness.

Yeliz starts to see nightmares on the night of her 25th birthday. She sees bloody and dirty hidden secrets about her family. As she tries to escape from these nightmares she is approached by an old family friend who wants to help her. But the enemy is not from this world. Together they face the world of jinns beyond the understanding of regular minds. Behold the zone of the jinn.

Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.

"I only say the sun goodbye." Dionisos captures the existential unease where insomnia echoes and shadows of past regrets linger. As days blend into unconsciousness, the night unveils a haunting struggle between personal demons and the unending flow of existence.