در این انیمیشن با شخصیت «مایلز مورالز» آشنا می‌شویم که یک نوجوان اهل محله بروکلین نیویورک است. «پیتر پارکر» در دنیای «مایلز» از دنیا رفته ولی مایلز به‌سرعت متوجه می‌شود که پیتر پارکر دیگری در یک بُعد دیگر وجود دارد و از او درخواست می‌کند تا به او آموزش دهد که چگونه به مرد عنکبوتی تبدیل شود…

در سال ۱۹۹۴، در اولین روزی که یو یول به‌عنوان دی‌جی جدید برنامه رادیویی محبوب آلبوم موسیقی به روی آنتن رفت، یک دختر دانشگاهی، می‌سو، با هیون وو ملاقات می‌کند که بر حسب اتفاق به نانوایی که وی در آن کار می‌کند، سر می‌زند. مانند موسیقی که از رادیو پخش می‌شود، فرکانس‌های آن‌ها به‌آرامی با هم هماهنگ می‌شوند؛ حتی زمانی که از هم جدا می‌شوند، برنامه آن‌ها را از طریق جزر و مد وقایع برخاسته از هم تصادف محض و هم اجتناب‌ناپذیر در کنار هم قرار می‌دهد تا آنگاه که واقعیتی تلخ رخ می‌دهد و آن‌ها را از هم جدا می‌کند.

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

Mothra and her fairies return to Japan to warn mankind that they must return Kiryu to the sea, for the dead must not be disturbed. However Godzilla has survived to menace Japan leaving Kiryu as the nation's only defense.

داستان فیلم درباره ی فردی به نام میشل می باشد که پس از مشاجره با نامزدش ، به جاده می زند و در حین رانندگی دچار یک تصادف وحشتناک می شود. او زمانی که به هوش می آید متوجه می شود که در یک زیرزمین حضور دارد و فردی به نام هاوارد او را در این مکان حبس کرده است. هاوارد به میشل می گوید که او در اینجا زندانی نیست و تنها به دلیل اینکه در محیط بیرون از خانه حمله ای رخ داده و هیچکس قادر به تنفس و زنده ماندن نیست ، او را به اینجا آورده است تا جانش را نجات دهد. اما…

Gowtham and Kundhavi married then she finds a diary from his time at college, five years earlier. She thinks he would rather be married to Aishwarya, his college sweetheart, so she makes arrangements for them to meet again.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

A genetic engineering student tries to bring back the skills of a legend of the past and use his skills to save India from a deadly virus attack by China.

Lina Inverse and Naga the White Serpent are back! What begins as a routine bandit-stomping turns into the adventure of a lifetime involving magical golems, an ancient Elven weapon and even someone bent on destroying the world. It's a predicament only Lina and Naga could get themselves in to.

When an extortionist threatens to force a multi-suicide unless a huge ransom is paid, only Peter Parker can stop him with his new powers as Spider-Man.

Ashok is in love with his boss' daughter, Nirmala. To convince Viswanathan, he seeks his best friend Vasu's help, who disguises as his father.

A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him.

Picking up the storyline from where Singam ended, Duraisingam has gone undercover after meeting the Home Minister and is working as an NCC officer in a school in Thoothukudi. The only people who know about this operation are the Chief Minister and Home Minister apart from himself.

The story revolves around two friends who work hard, and spend their money travelling around the country. On one such trip, they accidentally help a pair of lovers elope, without realising it. The family of the eloped young lady get angry, and suspect them of being friends of the eloped young man. They take the two friends home, and try to beat them to get the truth out them. One of the two friends falls for a girl named Kayal, who is working in the house, and he speaks of his love in front of everyone. After the eloped young lady is brought home, and it is proven that the two friends were not involved in planning the elopement, they are allowed to go. Kayal travels to Kanyakumari to find the guy who loved her. The rest of the film tells of how they united, after many struggles.

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

This film involves around two characters both have been played by Jeeva. Siva is fisherman and does good things and on the other hand Ashok is a lawyer, womanizer and does bad things. At one point Ashok kills a girl with whom he made love. By certain amount of doubt, his brother Siva drags Ashok to court, there he uses his professional knowledge to escape out of the case.

In the spirit of the EC horror comics of old, the film tells the story of five teens who get lost on their way to a rock concert, are menaced by flesh eating mutations and then fall into the clutches of a family of backwoods killers. The film includes copious amounts of gore alongside a splattering of social commentary and several slices of dark humour. It’s best seen as a tribute to the cinema of Lucio Fulci and George Romero, but viewed from a distinctly Pakistani perspective.

The film revolves around the feud between the three brothers over property; two brothers, from their father's first wife on one side with their avarice for all the wealth with the righteous third, from his father's second marriage, trying to stop the family from breaking down. The feud that exists as an undercurrent in the presence of their father and turns ugly and personal after he passes away. It grows bigger with the two brothers joining in to elbow out the third but he graciously steps aside, only wanting to keep cordial relations. But, the two brothers are just not able to handle the huge wealth and the responsibility that it brings. Their wealth attracts trouble and it is up to the third to come back and save his brothers, against others who strive for the wealth while the crux of the plot revolves around if wealth does disintegrate the family.