A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

The incomparable Luciano Pavarotti at his most eloquent brings Donizetti’s Nemorino to live as only he can, combining vocal fireworks, personal charisma, and charm. The enchanting production by Nathaniel Merrill, with designs by Robert O’Hearn, is the perfect setting for Nemorino’s quest to win the heart of beautiful Adina, sung by the sparkling Judith Blegen. Brent Ellis as Belcore and Sesto Bruscantini as Dr. Dulcamara round out the all-star cast. Nicola Rescigno conducts.

The events of the film take place in one of the local neighborhoods in Cairo, with a quarrel starting among a group of young people watching a world cup match between Egypt and Russia, As a guy criticized the player Mohamed Salah's performance at the time when Salah was crowned king in the Egyptian street.

A young film director returns to Venezuela, inspired to make a film based on his father's life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.

A behind-the-scenes look at the true-crime story involving Joe Exotic's murder-for-hire plot.

After an assassination attempt, a broke mob wife takes over his husband's dirty work and collects her husband's debt with the help of her best friend - a hairdresser and her step daughter.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Vikas comes from a poor family, and is attending college so that he can complete his studies, get a job, and financially look after himself and his dad. He meets with wealthy Asha at this college, and after a few misunderstandings, both fall in love. Vikas' dad passes during the exams, and Vikas leaves to attend the funeral, and is unable to complete his studies. Asha feels sorry for him, and arranges to get him employed with her dad, which he does so, not knowing that his employer is Asha's dad. Asha's dad wants her to get married to Ashwini, and he soon announces their engagement. Ashwini finds out that Asha is in love with Vikas, and arranges an accident for Vikas.

Jimmy, a young boy, idolizes famed train engineer Casey Jones and is devastated when his hero is killed in a train wreck. The boy grows up to be a railroad engineer, too, but one day the train he is piloting loses its brakes and wrecks. Jimmy tries to fix it but has to jump off at the last minute. Unfortunately, stories begin to circulate that he turned coward and jumped off the train first, letting it be destroyed rather than try to save it. He sets out to clear his name.

Douglas Baines, a wartime army deserter, is lying low in a shabby flat with his girlfriend Daisy and the couple's small son, Jiffy. Returning home with a toy for Jiffy's second birthday, he learns that Daisy has had the boy adopted. When she refuses to tell him where the boy is, he strangles Daisy and goes on the run.

Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.

Escaped outlaw Jose Gomez returns to his home town pursued by bounty killer Luke Chilson. The towns people protect Gomez, unaware, at first, that he is now a changed and dangerous man.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

After finishing his MA in Anthropology, Hugo spends his days giving his brain a rest from the endless reading of texts by unknown authors. His only company is Luisa, the cleaning lady, with whom he plays cat and mouse. To escape the sleep of reason – which creates monsters -, Hugo exercises his lyrical vein by writing, with his friend Manuel, songs about their neighbourhood. The quiet dilettantism of our protagonist is shaken by Catarina, a young and beautiful translator who’s starting her professional life as a freelancer. Hugo is hooked and wavers. High above, a kestrel falcon hovers. It’s not the only bird of prey that can do it.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

This short film follows a man lost in the woods driven by his fear of the unknown.