Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Jola y Wiesiek son una excéntrica pareja de negocios de Bytom, Polonia. Poseen, probablemente, la casa de empeños más grande de Europa. No obstante, su tiempo de gloria ha acabado debido a los cierres de las minas y el crecimiento del paro en la ciudad. Privados de sustento, los habitantes de la “Detroit Polaca” cada vez empeñan más objetos absurdos y sin uso. Ni las locas ideas de márquetin de Wiesiek, ni el tierno corazón de Jola pueden ayudar a la decadente economía. Ella ayuda a los clientes no sólo con palabras amables, sino también con una sopa caliente o una manta. Aunque la casa de empeños lleva pérdidas, esta se ha convertido en un centro de vida importante para la comunidad local. El negocio pronto se encontrará en el umbral de la insolvencia y la relación de Jola y Wiesiek se pondrá a prueba. Una historia que muestra como delante de un desastre inminente, la creatividad y la fuerza no tienen límites.

As a result of a successful conspiracy against Menshikov, Peter II is prematurely recognized as an adult and is in a hurry to be crowned in Moscow. The Dolgoruky brothers gather for this celebration. There were eight of them - all-powerful and influential representatives of the ancient Rurikovich family - and among them the beautiful Ekaterina, the daughter of the huntsman Alexei.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

"Even when we know the game is an illusion, the experience of Bleu Shut is entirely a pleasure: the ‘game’ is fun, the Nelson/Wiley debates, infectiously funny; and Nelson’s choice of imagery, quirky and amusing. Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life." –Scott MacDonald

Para salvar a la hija de un condenado, un heladero empeña su palabra de honor.

Two souls lost in a world of modernisation find each other in a moment's need for clarity and appreciation.

Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

Una joven es explotada por una serie de hombres a lo largo de su vida y termina al frente de un batallón en la Revolución Mexicana.

Short parody indie film based on the TV show "Storage Wars". The plot is located in a small town in Bosnia and Herzegovina called Doboj.