Camelia and Sarah in the last spring of the eighties...their last days of innocence a story told twice by 2 different girls or rather 2 similar girls.
A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.
Interviews with cast and crew on the Villa Arabesque Mexico set of the James Bond movie Licence to Kill (1989).
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
A mad man, Spyros, wants to marry Marianna, his lively sister. He wants to give her a dowry apartment, but his money is not enough for that. So he has to ask for a loan from his boss. The boss refuses to serve him but as soon as he knows Marianna, he changes his mind. Spyros tries to think of Marianna, who is smirked for his boss's mistress, but he only manages to lose his job. He wants to marry her with the poor and honest electrician Manolis, who is in love with her.
一个小流氓在光天化日之下抢劫珠宝店。跟踪他的警察知道他有同谋，并将注意力集中在歹徒的女朋友身上，试图抓住他。
战国时代，有八位武士带着三千两黄金来到一个破落的村庄，却惨遭利欲熏心的村民们的杀害，许多怪异事情因而发生，人们便称这个村庄为“八墓村”。 曾带领村民攻击八位武士的田治见庄左卫门，他的子孙——要藏在大正某年疯狂地残杀三十二个村民后，行踪成谜。二十几年后，“八墓村”仿佛被下了魔咒一般，再度演出惊悚杀人事件。要藏地石棺里埋藏了传说中三千两黄金地证据——三枚金币，这三枚金币却让他的儿子辰弥陷入了恶魔的诅咒之中——八墓村即将追索他的牺牲者......八墓村村民连夜追杀辰弥，震天的杀声将辰弥逼入万劫不复的鬼火潭中。 究竟辰弥能否逃过这次劫难？暗藏幕后的真凶是何人？三千两黄金到底只是传说或确有其事？
A family, trying to pull themselves together after losing their infant son, moves into a new home, where, almost immediately, the mother begins experiencing paranormal phenomena. She finds it playful at first, but as it grows increasingly malevolent, she is unable to convince her husband of it, and she must contend with it to protect her family from its influence.
Kaori is an intense kendo fighter who has been training since she was young. Sanae is a girl who has only participated in kendo casually, but somehow manages to beat Kaori in the final tournament of junior high school. Although Sanae doesn’t particularly care about it, Kaori holds a grudge, setting up a rivalry that bleeds over into high school.
A portrait of village life in South Thailand, home of retired Malay-Muslim members of the communist party of neighboring Malaysia. Recollections of the decades-long guerrilla war are interspersed with a Thai radio soap opera.
A man with some sense of intestinal urgency needs to find the right door at a railroad station. He chooses... the wrong door.
Ashton Redding, a mailroom attendant at Brev Corp, is lured into a strange bond with the Phototron 69 photocopier machine in the office... (ALTER)
A lot of hell and very little heaven heaven among homeless and damaged characters in Stockholm. The young heroin addict couple, the slippery pimp, a mentally ill poet, are some of the personalities we are being served.
Jeffrey Gilham had a perfect life. He lived on a river in the heart of Sydney's affluent Shire district. He was handsome, educated, a champion athlete, and a model son from a perfect family. So why, on a freezing morning in 1993 did this model son butcher his parents and brother? Or did he?
The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.
Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.
Without question, this is an incredibly bizarre production. The revised storyline makes little sense, and there is a surprising amount of violence and sexual innuendo. However, the singers are superb, both vocally and in regard to their stage presence and acting, the orchestra plays beautifully, the chorus is wonderful, and the set is as clever as it is strange. It's definitely not for purists, or for someone new to this particular opera. But for someone who's seen Die Entfuhrung before, and is familiar enough with the original story to not miss it, watching Belmonte, Constanze, Blonde, Pedrillo, and Osmin embark on an entirely new adventure -- and push the boundaries of good taste -- is rather enjoyable.