A young photographer's home is haunted by it's former residents.

Chava, a 17-year-old boy who has a secret admirer, feels more attracted to boys. When leaving his school in a rainy day, Carlos offers him a ride, and so their adventure begins.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

While caring for her brother along with her audacious mother, a teenager strikes up an unlikely friendship with an eccentric activist who is protesting one of the most landmark medical cases of all time.

One day, Tenchi disappears in the forest near his house. Six months later, Ayeka and Ryoko locate Tenchi living in a city, but with a mysterious woman. What's more, Tenchi appears to have aged several years. Whenever Ayeka and Ryoko catch up to him, he disappears into thin air, apparently existing in a fabricated alternate dimension where he has no knowledge of his past.

May 1960. Mount Everest, the second step under the cliff. The four members of the China Everest Climbing Commando are attacking the most difficult and most difficult "second step". This is their fifth assault. The first four failures have cost them too much physical strength - finally, the wind and snow stop the gap.

Jessica Fletcher, lecturing at a writers' conference, finds herself called on to solve the killing of a guest speaker, an arrogant Russian author who'd written a nonfiction, tell-all book about his tenure as head of the KGB.

A group of students are preparing works for an art exhibition, they belittle a myth that "Any inanimate object that resembles a living thing, is not just a dead-object"

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Summer in Tyrol (Danish: Sommer i Tyrol) is a 1964 Danish comedy film directed by Erik Balling and starring Dirch Passer.

Teresa und Patricia are best friends. Despite the big differences between date-experienced Teresa and romantically predisposed single-mother Patricia, they have one thing in common: they have enough of bad dates and are sick of stupid dudes, bad surprises and broken hearts. When Teresa meets the neurotic programmer Anton, who is completely inexperienced in the field of romance, they come up with a genius business idea: together with the womanizer and start-up founder Paul, they develop an app with which potential dates can be categorized. In this manner, users can paint a picture of what they're getting themselves into. However, quite quickly they find out that people can't be easily fit into boxes and that matters of the heart shouldn't be left to an algorithm...

A grieving young inventor finds solace in repairing an antique typewriter.

Shocked when their friend embraces extremism, a group of Muslim Americans in Texas recount their time with him and theories about his fate.

Lucía (Belén Rueda) is a woman for whom leading a model life and taking control of her life is the most important thing. Since she got married, she has focused all of her efforts on caring for her family, until achieving what for her is a perfect family. However, her entire world begins to collapse with the arrival of Sara (Carolina Yuste), the girlfriend of her son; a young girl with great freedom and without mincing words who has a very different family from what Lucia always dreamed of as a political family. Now, Lucia must accept that the perfect family was not exactly what she thought.

Catch the spark after dark at Disneyland Park. And say farewell to one of the Magic Kingdom's most celebrated traditions - The Main Street Electrical Parade. Where else, but in The Main Street Electrical Parade, could you see an illuminated 40-foot-long fire-breathing dragon? And hear the energy of its legendary melody one last time? It's unforgettable after-dark magic that will glow in your heart long after the last float has disappeared.

A diegetic history of the secret Plus Ultra society from Disney's Tomorrowland movie. Animated by Pixar artists, narrated by Maurice LeMarche as Orson Welles, directed by Brad Bird, and written by Brad Bird, Damon Lindelof, and Jeff Jensen. Originally previewed in an unfinished form at the Walt Disney Pictures panel at D23 Expo 2019, first released in two halves on the Take Me To Tomorrowland promotional website. Originally intended to be placed within the film as a multimedia dark-ride attraction when young Frank Walker plunges beneath "it's a small world", it was cut and then appended as a pre-film short in a limited number of cinemas during its theatrical release. The option to play this short before the film is presented on the physical home video releases of the film.

Brothers Ryan and James find themselves at the center of a criminal conspiracy.

As a film director works on his submission for a film festival, the mounting issues during production reveal what truly unfolds behind (the scenes) what we've seen.