Short film by Michael Rudnick

The mysterious man in black returns, and this time Ghost Rider is going Back to Basics with some of the most extreme high-speed action ever seen. The latest installment of the adrenaline-packed Ghost Rider series features incredible on-board footage from the highways of Sweden and busy streets of Stockholm. Join Ghost Rider as he weaves through traffic, rides the Nurburgring, "off-roads" in a city center, goes sledging without snow and comes within seconds of disaster during unexpected encounters with a police van and a huge lorry! Ghost Rider swaps two wheels for four as he burns rubber in a high performance Subaru, showing he has skill and style whatever the machine. All the way the Swedish police are on his tail, the pursuits captured from incredible on-board camera angles and shown in split screen - so you can see what's ahead as you leave the pursuers behind. Plus, Ghost Rider finally agrees to take on a street race, with his bike at stake as well as his pride.

Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.

A seemingly unremarkable man spends a day taking a bizarre test at a mysterious facility. Through his day he interacts with the odd, detached employees of the facility, guiding him from section to section, obscuring the intentions or duration of the test.

Yowamushi Pedal: Re:RIDE compiles the first half of the Inter High arc from the first television anime season with some cuts of new footage added.

A strange meteor lands in Japan and unleashes hundreds of insect-like "Legion" creatures bent on colonizing the Earth. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary. However the battle may result in Gamera losing his bond with both Asagi and humanity.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Two hardy orphans survive upon the remains of a humanity that has left them behind.

The film traces the life of Çakırcalı Mehmet Efe, a Zeybek (active as an outlaw in the region enclosing İzmir, Aydın, Denizli, Muğla and Antalya in modern western Turkey, from 1893 to 1910) whose father, Çakırcalı Koca Ahmet Efe was murdered by an Ottoman sergeant.

Star follows the path of Tito and Jay, two brothers living in the Montreal neighborhood of Park Extension. Accompanying these young people in their daily life marked by complicity and intimidation, Star tackles themes dear to teenagers: identity and friendship.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

The chronicles of a degenerate man who loves to masturbate, and his corporate disabled friend.

Set in a post-apocalyptic world where a global airborne pandemic has wiped out 90% of the Earth's population and only the young and immune have endured as scavengers. For Ellie and Quinn, the daily challenges to stay alive are compounded when they become hunted by the merciless Stalkers.

Ever since Badal was an eight year old, he's been in love with violence. As a role model, he chooses the local mafia leader Bachcha Babu. As he grows up, Badal's passion for becoming like Bachcha Babu increases. One day, by chance, he gets the opportunity to join Baccha Babu's gang. He meets a girl called Megha and falls head over heels for her at first sight. However, she wants nothing to do with him. Megha's father, Sharmaji, who is a government school teacher, finds out that Badal is bothering Megha. With the help of his journalist friend, he goes to Bachcha Babu and tells him that Badal is creating trouble in his daughter's life. Bachcha Babu assures the journalist that from now on Badal will not disturb Megha and her family. In the course of events Bachcha Babu bumps into Megha and finds that he wants her for himself - at any cost. Bachcha Babu goes to the extent of killing his own wife to marry Megha.

A black exploitation flick of the early 70's about a college/high school teacher who tries to intervene and rescue his student who is being pursued by the law. The professor happens to have sexual intercourse with at least 2 different women on his way to save his student. I've gotta love the title music track fr this movie, very 70's... "Brother on the run...etcetcetc. If you see t in the $3.00 video bin at your local video outlet pick it up for your own little amusement. It's not a must see, it's more like a "gotta see it to believe it" (in ways). Hehe.. the editor for this film should have been canned, (a hint) lay off the qualudes.