The Three Cousins ​​is a comedy-drama by René Vautier released in 1970 about the living conditions of three Algerian immigrant cousins ​​looking for work in Paris. Housed in a narrow construction shed, the coal stove will cause them to suffocate. The Three Cousins ​​won the Best Human Rights Film Award in Strasbourg in 1970.

‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.

나츠키 시즈코 원작의 걸작 미스터리를 기초로 여배우를 목표로 하는 소녀의 모습을 그린 작품이다.

Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.

Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Ji-seok's libido wanes whenever he stands in front of a woman. One day, while sleeping alone in his friend's house, drunk Hye-eun mistook Ji-seok for Dong-cheol and then ran off. Ji-seok spent the hot night first, and Dong-cheol directed and watched it. Hye-eun later became angry after learning that she was with Ji-seok, but she happened to know his problem. In the end, she continues the relationship to help Ji-seok.

A young writer embarks on a journey to find out more about the taxi business in Lagos by becoming a taxi driver, he meets a young lady along the way and becomes fond of her.

허버트 웨스트 박사는 저 유명한 '미스케토닉 대학 사건'으로 인해 교도a소에 14년째 복역중이다. 미스케토닉 사건이란 죽은 장기를 살려내려는 실험을 하다가 만들어낸 기괴한 괴물들로 인해 벌어진 참사. 하지만 박사로서는 과학 실험을 하다 보면 생길 수도 있는 부수적인 결과일 뿐, 반성의 여지는 찾아볼 수 없다. 사회의 나머지 인간들이야말로 멍청하고 위선적인 바보들일 뿐이라는 허버트 웨스트 박사. 웨스트 박사의 '리에이전트' 세럼은, 죽은 자의 뇌 속에 주입할 경우 장기를 살아나게는 하지만 결코 진짜 살아난 것이라고 보기 힘든 엉망진창인 상태로 만들어버리는 성질의 약물이다. 죽은 자들에게 '진짜 생명'을 주기 위해, 박사는 이제 몇 가지 질서와 방향을 부여해야 한다. 그는 이 생명 에너지를 찾아헤매던 중 스스로 NPE 즉, 나노플라스믹 에너지라고 부르는 것을 발견하게 된다. 폭력적이고 잔인한 교도소장 카브레라와 무식하고 성가신 간수, 그리고 죄수들과 '신선한' 시체라고는 덫으로 잡을 수 밖에 없는 쥐나 바퀴벌레가 전부인 교도소. 박사와 같은 과학자에게 썩 이상적인 환경은 아니지만 그는 연구의 완성을 위해 최선을 다하는 중이다. 그러던 어느 날 교도소에 새로운 젊은 의사가 자원해서 부임하는데, 그의 순진해보이는 얼굴 이면에는 다른 동기가 있다. 바로 웨스트 박사를 만나 그의 연구에 대해 알아내려는 것. 그는 어린 시절 미스케토닉 참사의 희생자 중 하나였던 누나의 죽음을 직접 목격했고, 그녀의 죽음을 막지 못했던 괴로움이 이후 그의 인생을 사로잡았다. 게다가 어린 시절 발견했던 웨스트 박사의 '리에이전트' 세럼을 간직하고 있었는데....

After all the trouble in the first film, Tino and Jane have more fun adventures. Still tasting bitter failure, they see a light at the end of the tunnel with uncle Olavinho’s unexpected inheritance. However, the will carries an unusual request: the rich uncle wants his ashes to be scattered throughout the Grand Canyon. The couple takes the opportunity of the trip to fulfill this wish and decides to go to Las Vegas and end up getting into comical situations. Big time spender Tino will fall into the greatest temptations and indulge in the casinos of the gambling city.

A bag full of money lands in front of you. Is it luck? The answer to your prayers? Part of a predetermined plan? Or all of the above? Set in the chaotic streets of Istanbul, 40 is a story of three strangers making their way in a city of 12 million, all searching...for one bag. Shot entirely on location, '40' combines intense story telling with documentary style cinematography embarking on a synchronistic journey dealing with faith, love, luck, destiny, human trafficking...and a bag of cash that falls from the sky.

소년 이치로는 혼자 있는 시간에 장난감을 만드는 것을 좋아했다. 어느 날 꿈에서 괴수의 섬을 방문하게 되고, 거기서 미니라가 가바라에게 괴롭힘 당하는 모습을 보게 된다. 강도들에게 습격당했을 때, 이치로는 꿈속의 미니라를 떠올려 용기를 내어 범인들을 물리친다. 더이상 약한 아이가 아니게 된 것이다.

During the war of in-dependency Evita moves from Lisbon to Mozambique to marry Luís. She slowly discovers how different and disturbing life is in a country of war and when her husband is send on a military mission she starts to fight loneliness. Over time she finds out more about her husband and Mozambique than she would have imagined in her peaceful European home. Racism, violence, injustice and fatalism make life unbearable...

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

A perfect ski vacation heads downhill in Winter Hollow, where any mention of Christmas unleashes the feared Headless Snowman. It's "A Scooby Doo Christmas" when Scooby-Doo and crew set out to melt the ferocious Frosty and save the holiday. It's no fun in "Toy Scary Boo" when all the toys in Happy Toyland start coming alive and wreaking havoc. In "Homeward Hound," a fiercely fanged cat creature petrifies the competing pooches at a dog show, including the visiting Scooby-Doo! Finally, Shaggy and Scooby-Doo's wildest dreams come true when they win a tour of Munchville, home of Scooby Snax dough and it spells out a "Recipe for Disaster."