Deciding whether to have a child is an emotionally fraught and deeply personal process. Deciding amid increasingly dire warnings about the climate makes it even more paralyzing. The Climate Baby Dilemma is a documentary charting the growing number of young people either refusing to bring a child into an increasingly unstable world or struggling with the ethics of whether they should or not. As the conversation about intimacy and climate change heats up, we meet activists, journalists, parents and prospective parents, ethicists and scientists to unpack this growing trend.
The plot revolves around two guys, Preet and Harpal, who are from a middle class family and are carefree and not concerned about their future. They keep making schemes to make themselves rich. Their father tries to teach them the facts of life and to be efficient and independent. Their mother however supports them in whatever they do no matter how frivolous. The film takes a hilarious turn when the boys meet two rich girls and make a plan to get involved with the girls to extract money from them. In order to do this they need to adapt to the girls lifestyles and borrow money from their father. The plot gets murkier when they decide to marry the girls. Secrets are revealed and criminals are involved. What happens next? Do the boys succeed in their plan? Watch the movie to find out.
Hurmuz is a beautiful woman, her husband Ömer is in prison and she's in love with him. She thinks that her husband is very loyal to her, but one day, when she goes to visit him, she learns that she has six other wives besides herself, and she can't get over this and wants to take revenge. Hızır Reis, Guard Hasan, Tulumbacı Hayri, Hallaç Rüstem and Berber Hasan. Hurmuz marries all of them in turn and kidnaps them all on their wedding night. But still, Hurmuz's heart is with the doctor.
An investigation into the truth behind the murder of Guatemalan Bishop, Juan Gerardi, who was killed in 1998 just days after trying to hold the country's military accountable for the atrocities committed during its civil war.
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?
Eric Buford (Eric Streit) was willing to do just about anything to break out of his small Southern town. When Andrea Patterson (Andrea Griffin) arrives to oversee the opening of a huge corporate mega store, Eric thinks that he finally has a ticket out of "Small town USA". Eric's plans change when he discovers Food Demon's plot to destroy all of the Mom & Pop businesses on Main Street, including his grandparents' grocery store. Before Eric knows it, he is thrust in the middle of angry mobs, shady land deals and greedy businessmen that consider murder to be all in a days work. After his grandpa is slain before his eyes, Eric joins forces with his fellow Main Street merchants in a quest to save their town. Their mission: Run corporate America out of town on a rail..and live to tell about it.
Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
The film’s hero, Ilyich, cannot understand what’s wrong with him. Ilyich is a for- mer “mole”, an external observation agent in the KGB, then FSB. A skilled instructor. Now he is retired. From loneliness, he continues to watch those who catch his attention and curiosity. The doctor diagnoses him with empty sella syndrome (the syndrome of an empty Turkish Seat), which poses no danger for society... One day new neighbours move in, a young couple of musicians, and Ilyich’s life changes...
A ragtag group of gunslingers try to make their way in a post-apocalyptic world. The twist to this world is that it’s just not barren and dangerous, it’s also filled with flesh-eating zombies. The gunslingers will find themselves stranded in a town and forced to make a choice on either to save the citizens of the town or save themselves.
Maiko is a recently widowed young woman travelling to Bali to distract herself from the loss of her husband, Esau. At the airport she meets Kioko, who gives her a dagger and a photo of a woman. She tells Maiko she must find the woman, Shireni, in Bali and convince her to return to Japan, or she must use the dagger to kill her. Soon after her arrival in Bali she meets Shireni and is invited to stay with her. Quickly Maiko finds herself trapped on Shirini's island paradise, by her own confusion and her developing love for Shireni. She discovers Shireni to be immortal, a former spirit medium whose only goal is to find pleasure, body and soul.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
Deep in the jungles of central Africa, a lone figure moves swiftly through the trees. Often heard, sometimes seen, but never forgotten, the legend of Zambo is about to become real! In another life he was framed for a murder he didn't commit and left to rot in a filthy African prison, only to deftly escape into the wilderness. Friend to both man and animal, Zambo selflessly protects the African people from the oppressive forces of the outside world. As the legend of Zambo becomes too big to ignore, an expedition led by explorers Professor Woodworth, Perkins, and Juanez presents Zambo with his greatest fear: discovery. With only his strength, wits, and the help of the jungle itself, Zambo is in for the fight of his life!