Director Marc Levin travels to Chicago with hip-hop legend Chuck D (from Public Enemy) and Marshall Chess (son of Leonard Chess and heir to the legacy of Chess Records) to explore the heyday of the Chicago blues and how they come together to produce an album that seeks to bring veteran blues players along with contemporary hip hop musicians. Along with never before seen footage from Howlin 'Wolf, Muddy Waters and Paul Butterfield Blues Band, they are original performances by Koko Taylor, Otis Rush, Magic Slim, Ike Turner and Sam Lay.

Bubba's Chili Parlor, a restaurant in rural Texas, becomes ground zero for a worldwide zombie epidemic after Bubba unwittingly serves chili infected with a mutated strain of Mad Cow Disease.

A hopeful Miss Europe 1966 and her girlfriends fall for an aircraftman and his friends. To be together, they take advantage of their commander's adoration for the famous actress, Rena Vlahopoulou. Who says no to a rendezvous with love?

A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?

Two paranormal researchers that stay overnight in one of the most haunted places in the U.S. the Wallace Mansion. There they will attempt to prove or debunk the existence of its most famous resident the vengeful ghost of Mary Wallace who is said to haunt the place nearly 150 years after her death.

A former FBI agent must stop a crazy man from blowing up bombs.

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.

LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.

In this film several objects make paintings on an empty canvas, which all turn into photos and films.

Maiko is a recently widowed young woman travelling to Bali to distract herself from the loss of her husband, Esau. At the airport she meets Kioko, who gives her a dagger and a photo of a woman. She tells Maiko she must find the woman, Shireni, in Bali and convince her to return to Japan, or she must use the dagger to kill her. Soon after her arrival in Bali she meets Shireni and is invited to stay with her. Quickly Maiko finds herself trapped on Shirini's island paradise, by her own confusion and her developing love for Shireni. She discovers Shireni to be immortal, a former spirit medium whose only goal is to find pleasure, body and soul.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.