Four women are waiting for the blue circle and a possible change of their lives.
In the capital of Ceara, Iracema is the name of many women. It is the name of schools, guesthouses, bakeries, laundries, steakhouses, Iracema is the name of beaches.
Prudence Crandall establishes herself in Cantenbury, and starts a girls-school. When Eliza Harris, a black girl, wants to take lessons at this school, the local people resist and forbid their daughters to go to the school any longer. William Lloyd Garrison, writer of The Liberator, helps Prudence to turn her school to a black girls-school.
A guy locked in a room with no way out. He does not remember anything about himself, his fate is uncertain, but, the most important thing is the reason why this is happening.
Librarian and real crime buff Aurora “Roe” Teagarden never liked Detective Sergeant Jack Burns, but she also never wanted to see him dead. When his body is found outside of Aurora’s home, she then becomes the main suspect. Determined to find the killer and clear her name, Aurora can't help but to get involved once again.
While Aurora "Roe" Teagarden searches for her piece of the American dream, she decides to test the waters of the family business - real estate sales. Only thing is there's a dead body in the first house she shows. When a second body shows up in another home, Roe realizes there's more to real estate than she thought.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Learn how the one shot, 360-degree format was executed and the pivotal role Academy Award® winner Roger Deakins served in bringing Sam Mendes’ vision to life.
Seven men and women caught in a strange death game are forced to survive!
A cat, being sent out for the night, begins to make trouble for some birds. He later has a nightmare that the birds grow and begin to extract their revenge.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
A road trip takes many unexpected turns.
A suicidal woman makes a call for help with unexpected results.
Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.
Three years living in Sunset Park, living between the BQE and the Greenwood Cemetery, accumulating footage of junkyard cats, Park Slope strollers, burned out cars, flying birds.
"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.
Long Hair Hobo, one of the artist’s favorite characters, springs to life in brightly colored and joyous clay (an enchanted palette in a savage world), his limbs and clothing beating to the rhythm of the music. He comes face to face with his alter ego, who is transformed, melts and changes into a rainbow before morphing into a lake. Long Hair Hobo is wonderstruck at the sight of this magnificent visual feast intercut with images of fields and greenspace, in what is a masterful integration of the real and virtual. An eloquent testimony to the impossibility of an unchanging identity, this work reveals the uncertainty and instability that accompany human beings throughout their lives.
A lounge singer sees his career skyrocket after he signs a contract for a mobster nightclub owner.