Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.
Between Bresso, Sesto San Giovanni and Milan, we immerse ourselves in the lives of Vash and Felce, who together make music, do heroin and share everything. Their reality is sometimes brutal, often comical, tragic and romantic.
A director faces creative block while working on his latest film - a reimagination of his adolescence growing up in a mountain village in rural Japan.
A man takes a job at an asylum with hopes of freeing his imprisoned wife.
“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.
In eighteenth-century France, a girl is forced against her will to take vows as a nun. Three mothers superior treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire.
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.
A former circus artist escapes from a mental hospital to rejoin his mother - the leader of a strange religious cult - and is forced to enact brutal murders in her name.
A son is tired of bailing his mother out of trouble. In order to save her from herself, he must resort to extreme measures to confront her with the truth.
Undiagnosed, untreated and generally untethered schizophrenic Julien lives with his pregnant younger sister Pearl, anorexic would-be wrestler brother Chris, sympathetic grandmother, and severely depressed German father.
Fando and his partially paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.
After World War I, a young ex-soldier, Sébastien Monge, returns to his home village. Ignorant of his past, he learns that, 24 years before, his entire family was slain in their home one stormy night. Only Sébastien, then a four-month old baby, was spared. Whilst Sébastien is being seduced by Charmaine, Dupin is killed by someone else. Sébastien’s next victim, the miller Didon Pujol, is also murdered before he has a chance to take his revenge. Sébastien realises that someone is watching his every move and is going to extraordinary lengths to protect him. But who, and why..?
An animated film by French auteur Émile Cohl, one of the earliest examples of hand-drawn film animation. Drawing inspiration from J. Stuart Blackton and the Incoherents of club Hydropathes, the film, with all its wild transformations, sees our protagonist materialize a movie theatre, meet an elephant and escape from jail; A morphing, stream-of-consciousness delight.
The film tells different stories in a kind of parallel Germany about love, affection and hatred.
Returning home from a business trip to discover his wife missing, a man delves deeper and deeper into a surreal kaleidoscope of half-baked leads, seduction, deceit, and murder.
A spiral design spins. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as it rotates. The messages, in French, feature puns and whimsical rhymes and alliteration. The final message comments on the spiral motif itself.
Vera is a troubled teenager fresh out of school feeling trapped in her provincial port town during the turbulent times of perestroika. Her days and nights are filled with drinking, sex, and family dysfunction.
The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.
In the 1980s, after a businessman is murdered at his home, an experienced police inspector and his rookie partner must delve into the gay scene of the city to catch the killer.
Chappy discovers a drug-smuggling scheme at his own air base. It turns out that the lives of some village people in Peru are at stake, and he decides to fly there with ancient airplanes and friends to free them.